It’s just occurred to me that Baldur’s Gate 3 is shy of being a year old, and I’m struggling to come to terms with that because it feels like the game just came out. I know in my rational mind it didn’t, but where did those months go? Why didn’t I feel them in the way I normally would? I think I have an inkling why.
I felt it while watching an orchestral performance of Baldur’s Gate 3 at the weekend. It was part of the Game Music Festival and featured a special concert arrangement of the game’s score, and it was sublimely done. There was a large choir and full orchestra and it gave oomph to the dramatic music from the game. Even the vocalists were there to reprise their iconic “down, down, down by the river” motif. Not that any of this is unique; we’ve had orchestral video game concerts before – Ed was just at one for Elden Ring – and earlier in the day at the Southbank Centre, there was a recital for The Last of Us. I saw people milling around in The Last of Us T-shirts when I arrived. So I expected much of this. What I didn’t expect, however, or what I wasn’t prepared for, was the Baldur’s Gate 3 effect.
Remember what the event itself was: an orchestral performance by the Philharmonia Orchestra. It’s not where you would expect to see cosplay, as you would a games convention, but as the afternoon unfolded, that’s what it resembled. Shadowhearts and Astarions gathered, as did copies of other characters from the game, and a palpable feeling of excitement crackled around. This quietened for the start of the performance, as people sat sensibly and clapped in the correct places, but the further it went on, the less it could be contained.
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