{"id":987486,"date":"2026-01-07T05:20:19","date_gmt":"2026-01-07T05:20:19","guid":{"rendered":"https:\/\/www.polygon.com\/?p=458153"},"modified":"2026-01-07T05:20:19","modified_gmt":"2026-01-07T05:20:19","slug":"my-favorite-anime-studio-ghibli-animator-akihiko-yamatsura-on-the-anime-that-changed-his-life","status":"publish","type":"post","link":"https:\/\/arcader.org\/news\/my-favorite-anime-studio-ghibli-animator-akihiko-yamatsura-on-the-anime-that-changed-his-life\/","title":{"rendered":"My Favorite Anime: Studio Ghibli animator Akihiko Yamatsura on the anime that changed his life"},"content":{"rendered":"<figure> <img decoding=\"async\" alt=\"A headshot of Akihiko Yamashita overlaid on a screenshot from Lupin the 3rd: The Castle of Cagliostro\" data-caption=\"\" data-portal-copyright=\"Graphic: Will Joel\/Polygon | Image sources: Studio Ghibli\" data-has-syndication-rights=\"1\" src=\"https:\/\/arcader.org\/wp-content\/uploads\/2024\/10\/my-favorite-anime-studio-ghibli-animator-akihiko-yamatsura-on-the-anime-that-changed-his-life.jpg\" \/><figcaption><\/figcaption><\/figure>\n<p class=\"has-text-align-none\">Akihiko Yamashita, who\u2019s worked on titles as wide reaching as <em><a href=\"https:\/\/www.polygon.com\/anime\/446097\/toonami-original-anime-rick-morty-uzumaki-history\">The Big O<\/a><\/em> and <em><a href=\"https:\/\/www.polygon.com\/22633960\/rebuild-evangelion-movies-ending\">Evangelion 2.0<\/a><\/em>, has quite the anime resume. Since 2001, he\u2019s been working with Studio Ghibli, having done work on <em><a href=\"https:\/\/www.polygon.com\/23689921\/spirited-away-live-on-stage-director-interview-john-caird\">Spirited Away<\/a> <\/em>all the way through <em><a href=\"https:\/\/www.polygon.com\/23797923\/how-do-you-live-boy-and-the-heron-hayao-miyazaki-review\">The Boy and the Heron<\/a><\/em>.\u00a0<\/p>\n<p class=\"has-text-align-none\">Yamashita\u2019s foray into anime came a bit slowly.&nbsp;<\/p>\n<p class=\"has-text-align-none\">\u201cAs a child, I watched various animations without really being aware that this was this incredible medium,\u201d Yamashita told Polygon via a translator. That all changed when he was in junior high school. \u201cI happened to see <em>The Castle of Cagliostro<\/em>, and that was the one that really made me aware that you could really have a fantastically beautiful and excellent film.\u201d&nbsp;<\/p>\n<p class=\"has-text-align-none\">It was, \u201cby coincidence\u201d directed by Hayao Miyazaki, whom Yamashita went on to work with closely, starting with a <a href=\"https:\/\/www.polygon.com\/anime\/456483\/howls-moving-castle-release-watch-for-sophie\">more direct relationship on <em>Howl\u2019s<\/em><\/a><em><a href=\"https:\/\/www.polygon.com\/anime\/456483\/howls-moving-castle-release-watch-for-sophie\"> Moving Castle<\/a><\/em>. To say this job was a dream come true for him would be putting it mildly. <em>The Castle of Cagliostro<\/em> was the catalyst for him seeing all that animation could be.&nbsp;<\/p>\n<p class=\"has-text-align-none\">\u201cI thought: This shows that animation can be really fun,\u201d Yamashita says. \u201cAnd then even with simple lines we could express so much in terms of how to show movement, how to show animation.\u201d&nbsp;<\/p>\n<p class=\"has-text-align-none\">Yamashita credits the movie\u2019s many car chases in the film with catching his eye \u2014 with a little special love for the film\u2019s beginning one. \u201cThat really amped up my voltage [&#8230;] when I saw the car chase, I thought that was just amazing that that could be done by such simple animation.\u201d&nbsp;<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<div>\n<div><iframe title=\"Hayao Miyazaki Directorial Debut The Castle of Cagliostro | Car Chase | Dub Anime\" src=\"https:\/\/www.youtube.com\/embed\/LTOJZiDv1Uk?rel=0\" allowfullscreen allow=\"accelerometer; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share;\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<\/figure>\n<p class=\"has-text-align-none\">Which makes sense. It\u2019s hard to remember a time when Miyazaki was simply another artist in line to make the leap from working for an animation studio to directing (by taking on the third film spun off from a popular<em> <\/em>anime). But <em>The Castle of Cagliostro<\/em> is exactly that; Miyazaki honing his skills by painting with someone else\u2019s palette. <a href=\"https:\/\/www.polygon.com\/23007108\/lupin-the-third-woman-called-fujiko-mine\">Miyazaki took liberties with the character<\/a> \u2014 changing from the traditional ruthless type modeled after Ars\u00e8ne Lupin to a goofball who seems to be all limbs and luck. This Lupin\u2019s life is far from glamorous, seemingly based out of the modest yellow Fiat and mawkishly coming onto the waitress.\u00a0<\/p>\n<p class=\"has-text-align-none\">But the result is frenetic \u2014 lively animation that feels familiar and unfussy, creative in its sometimes physics-challenging approach, and full of a sense of care for the details that makes the world seem vivid and lived in, even when the action can sometimes be stocky. The car chases are good enough there\u2019s a persistent rumor that Steven Spielberg declared the movie \u201cone of the greatest adventure movies of all time\u201d after screening it at Cannes. Lupin struggling to swim up an aqueduct is the sort of visceral animation that you can laugh at and feel in your joints. The easy melding of styles and influences (both for Miyazaki and the medium itself) make it clear how this simple movie could go on to inspire a whole wave of animators and animation.&nbsp;<\/p>\n<p class=\"has-text-align-none\">Even now, <em>The Castle of Cagliostro<\/em> is something that sticks with Yamashita. \u201cThere are lots of good films, interesting films \u2014\u00a0but when I think about what I really loved watching, I would probably say it\u2019s the <em>Castle of Cagliostro<\/em>. [It\u2019s] something that really struck me when I first saw it as a youth,\u201d Yamashita. \u201cAs I, myself, have taken on some directing roles. Actually watching or thinking about <em>The Castle of Cagliostro<\/em> depresses me! Because I can\u2019t make a film that interesting, that good, that fun. So in a way, it\u2019s my target for trying to make a good film, and I feel like it\u2019s my rival to make that film. But I feel like I can\u2019t approach it.\u201d\u00a0<\/p>\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n<p class=\"has-text-align-none\">Lupin III: The Castle of Cagliostro <em>is streaming for free with a library card on Hoopla, and is available for digital rental or purchase on Amazon and Apple TV.<\/em><\/p>\n<p><a href=\"https:\/\/www.polygon.com\/anime\/458153\/studio-ghibli-miyazaki-yamashita-lupin-3rd-favorite\">Source<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Akihiko Yamashita, who\u2019s worked on titles as wide reaching as The Big O and Evangelion 2.0, has quite the anime resume. Since 2001, he\u2019s been working with Studio Ghibli, having done work on Spirited Away all the way through The Boy and the Heron.\u00a0 Yamashita\u2019s foray into anime came a bit slowly.&nbsp; \u201cAs a child, I watched various animations without really being aware that this was this incredible medium,\u201d Yamashita told Polygon via a translator. That all changed when he was in junior high school. \u201cI happened to see The Castle of Cagliostro, and that was the one that really made me aware that you could really have a fantastically beautiful and excellent film.\u201d&nbsp; It was, \u201cby coincidence\u201d directed by Hayao Miyazaki, whom Yamashita went&hellip;<\/p>\n<p class=\"excerpt-more\"><a class=\"blog-excerpt button\" href=\"https:\/\/arcader.org\/news\/my-favorite-anime-studio-ghibli-animator-akihiko-yamatsura-on-the-anime-that-changed-his-life\/\">Read More&#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":987487,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-987486","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-polygon"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>My Favorite Anime: Studio Ghibli animator Akihiko Yamatsura on the anime that changed his life | Arcader News<\/title>\n<meta name=\"description\" content=\"Akihiko Yamashita, who\u2019s worked on titles as wide reaching as The Big O and Evangelion 2.0, has quite the anime resume. 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