{"id":955417,"date":"2026-01-01T22:59:27","date_gmt":"2026-01-01T22:59:27","guid":{"rendered":"https:\/\/www.polygon.com\/?p=446097"},"modified":"2026-01-01T22:59:28","modified_gmt":"2026-01-01T22:59:28","slug":"toonamis-push-for-original-anime-has-always-been-ahead-of-the-curve","status":"publish","type":"post","link":"https:\/\/arcader.org\/news\/toonamis-push-for-original-anime-has-always-been-ahead-of-the-curve\/","title":{"rendered":"Toonami\u2019s push for original anime has always been ahead of the curve"},"content":{"rendered":"<figure> <img decoding=\"async\" alt=\"Toonami Tom sitting in his command chair\" data-caption=\"\" data-portal-copyright=\"Graphic: Zosha Millman\/Polygon | Source images: Warner Media\" data-has-syndication-rights=\"1\" src=\"https:\/\/arcader.org\/wp-content\/uploads\/2024\/09\/toonamis-push-for-original-anime-has-always-been-ahead-of-the-curve.png\" \/><figcaption><\/figcaption><\/figure>\n<p class=\"has-drop-cap has-text-align-none\">In 2024, you can\u2019t throw a stone without hitting an anime fan \u2014 not literally, of course. But what once felt like an exclusive club has become a mainstream, global phenomenon, appearing on everything from major streaming services to giant movie screens. And millions of today\u2019s anime fans have the same place to thank for their introduction to the medium: Toonami, Cartoon Network\u2019s beloved late-\u201990s\/early-aughts after-school programming block.<strong> <\/strong><\/p>\n<p class=\"has-text-align-none\">Considering its popularity, it makes sense that the lineup, which now airs on Adult Swim, began producing original anime of its own. But as an American-owned and -operated sub-brand, Toonami\u2019s original anime are special: They\u2019re not only high-quality, they\u2019re authentic, too. After nearly 30 years on the air, and a dozen exclusive anime produced by major studios, Toonami remains one of the lone non-Japanese brands regularly creating genuine Japanese shows. In that time, it\u2019s nailed down a formula that no one else has managed to replicate: one of authenticity, self-promotion, and capturing the zeitgeist.\u00a0<\/p>\n<p class=\"has-text-align-none\">Launching in 1997, Toonami\u2019s programming was a unique bedrock for Cartoon Network in the late \u201990s and early aughts. While other American channels aired popular anime \u2014 like Kids\u2019 WB and Fox Kids, homes to <em>Pok\u00e9mon<\/em>, <em>Yu-Gi-Oh<\/em>, <em>Digimon<\/em>, the infamous 4Kids dub of <em>One Piece<\/em>, and more \u2014 Cartoon Network\u2019s Toonami had the most robust collection of series. Every afternoon, kids could come home and watch everything from classics like <em>Dragon Ball <\/em>and <em>Sailor Moon<\/em> to fan favorites like the Gundam franchise and <em>Outlaw Star<\/em>. (The channel\u2019s Toonami block also boasted shows like <em>Hamtaro<\/em>, which was maybe too cutesy for action anime-lovers, but iconic to this writer.) As broadcast networks and English-dubbed home videos made these shows <a href=\"https:\/\/slcc.pressbooks.pub\/literarystudiesatslcc\/chapter\/introduction-to-anime\/\">more accessible to mainstream audiences<\/a> \u2014 not to mention <a href=\"https:\/\/www.nytimes.com\/1999\/11\/13\/movies\/pokemon-is-catching-and-keeping-them.html\">the Pok\u00e9mon craze<\/a> \u2014 anime\u2019s stateside popularity grew. With its diverse programming, Toonami developed an identity as a purveyor of <a href=\"https:\/\/www.vulture.com\/2017\/03\/toonami-was-an-anime-gateway-for-millennials.html\">high-quality goods<\/a>.&nbsp;<\/p>\n<p class=\"has-text-align-none\">But it\u2019s one thing to showcase great shows, which Cartoon Network did both during Toonami\u2019s daytime hours and weekend slot as part of Adult Swim (how many Western audiences were first traumatized by<em> <a href=\"https:\/\/www.polygon.com\/2020\/1\/7\/21043182\/neon-genesis-evangelion-netflix-anime-meaning-bible-depression-sexuality\">Neon Genesis Evangelion<\/a><\/em>). It\u2019s another to make them, which the network did for the first time in 2003 \u2014 and continued to do for the next 20-plus years.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<div>\n<div><iframe title=\"Toonami - Big O Longer Promo (4K)\" src=\"https:\/\/www.youtube.com\/embed\/oaQKbmywCK4?rel=0\" allowfullscreen allow=\"accelerometer; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share;\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<\/figure>\n<p class=\"has-text-align-none\"><em>The Big O<\/em> aired on Toonami in 2001, quickly gaining acclaim for its spin on the popular mecha genre. Stylistically, it was a mashup of Japanese and Western artistic and storytelling sensibilities: The main character was named Roger Smith, a peak American name. Smith is embroiled in a noir-inspired mystery involving the destruction of both the world and its survivors\u2019 memories, calling upon a giant robot when necessary.&nbsp;<\/p>\n<p class=\"has-text-align-none\">Produced by acclaimed studio Sunrise, which also helmed Toonami\/Adult Swim smash <em><a href=\"https:\/\/www.polygon.com\/22723178\/cowboy-bebop-anime-best-episodes-to-watch\">Cowboy Bebop<\/a><\/em> and the Gundam franchise, <em>The Big O <\/em>became an early success story for the block. But the series only ran for one season and 13 episodes \u2014 akin to a show like <em>Bebop<\/em>, but unlike the big hits that it felt primed to be. Not only that, but <em>The Big O<\/em> ended on a cliffhanger, an <a href=\"http:\/\/www.konaka.com\/alice6\/big-o\/\">intentional move to bait a studio<\/a> into ordering a season 2.&nbsp;<\/p>\n<p class=\"has-text-align-none\">In January 2003, Cartoon Network took Sunrise up on it, teaming up to create a second season of <em>The Big O<\/em>: <em>The Big O II<\/em>, which aired exclusively on Adult Swim in the States. By hooking back up with the original studio and creative team, the American network aimed to recapture and honor <em>The Big O<\/em>\u2019s spirit. It reportedly had <a href=\"https:\/\/www.youtube.com\/watch?v=51efiPMmg5Q\">little intervention<\/a> in the production, other than funding and offering two notes on its story. (One of them: Solve the mystery.) And while its ratings weren\u2019t enough to warrant a season 3, it established Cartoon Network\u2019s anime bona fides in spectacular fashion: Here was a company unafraid to not just license kid-friendly, toy-ready series, but also willing to spend money on satisfying audiences by keeping those shows going.<\/p>\n<p class=\"has-text-align-none\">Only two years later, the company proved that <em>The Big O II <\/em>project wasn\u2019t a one-off. Cartoon Network (and Williams Street, the subsidiary that runs Adult Swim) teamed up with Production I.G, a storied studio that had worked on everything from <em>Ghost in the Shell <\/em>to <em>Kill Bill<\/em>, to turn a series of five animated shorts into an exclusive anime for Toonami. In <a href=\"https:\/\/www.productionig.com\/contents\/works_sp\/23_\/index.html\">a press release<\/a>, Production I.G touted <em>IGPX: Immortal Grand Prix <\/em>as \u201cthe first instance of a U.S.A. cable network working directly with a Japanese animation studio to create an original series.\u201d (The announcement also refers to Cartoon Network as \u201cthe biggest animation channel in the world.\u201d Oh, <a href=\"https:\/\/www.cartoonbrew.com\/business\/disney-nick-and-cartoon-network-saw-double-digit-ratings-plummet-again-this-year-211989.html\">how the mighty have fallen<\/a>.) Toonami rigorously publicized the show, asserting how big of a deal it was: It had capitalized upon a near decade of dominance as TV\u2019s most diverse anime block, especially with its crossover hits in the mecha subgenre, to authentically enter the field.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/arcader.org\/wp-content\/uploads\/2024\/09\/toonamis-push-for-original-anime-has-always-been-ahead-of-the-curve-1.png\" alt=\"Mecha in IGPX racing along a track\" title=\"Mecha in IGPX racing along a track\" data-has-syndication-rights=\"1\" data-caption=\"\" data-portal-copyright=\"Image: Production I.G, Cartoon Network\/Discotek Media\" \/><\/p>\n<p class=\"has-text-align-none\">As far as mecha anime go, <em>IGPX <\/em>is mostly novel for being a Toonami original series exclusive to the block, which was unprecedented for its time. It blended 2D and CGI animation for its futuristic story about a sport where giant, human-piloted mechs race each other. If you came for the mechs, you wouldn\u2019t leave displeased, but this was more of a racing drama than a Gundam-style giant-robot show. Viewers were cold on the series upon its initial airing, Toonami co-creator Jason DeMarco noted in a later interview: \u201cOn message boards after the [episodes] aired, it seemed like we were always getting ripped a new one,\u201d he said, due to its less-straightforward approach to the genre. Still, it managed to run for 26 episodes over two seasons, with DeMarco and co-creator Sean Akins <a href=\"https:\/\/www.animenewsnetwork.com\/interview\/2005-09-05\/igpx-interview-with-sean-akins-and-jason-demarco\">publicly stat<\/a>ing their intentions for <em>IGPX<\/em> to kick off a long line of Toonami\u2019s anime co-productions.<\/p>\n<p class=\"has-text-align-none\"><em>IGPX<\/em> marked a turning point for Toonami, but not in the way that DeMarco and Akins hoped. In 2008, two years after <em>IGPX<\/em>\u2019s final episode aired, the block went off the air. Despite the continued popularity of shows like <em>Naruto <\/em>and <em>One Piece <\/em>(even with that infernal 4Kids dub), anime\u2019s stateside popularity was no longer at its <em>Dragon Ball Z<\/em>-era height. The once-booming home video market, which was a huge part of anime\u2019s global success, was <a href=\"https:\/\/icv2.com\/articles\/comics\/view\/12068\/anime-dvds-down-20\">on the decline<\/a> \u2014 in part because of the little thing called the Great Recession going on at the time, though some discouraged anime fans argued that the medium itself was also <a href=\"http:\/\/www.projectharuhi.net\/?p=5053\">in a creative rut<\/a>. Toonami saw falling ratings, and after a switch from weekdays to Saturday night and a dwindling amount of new programming, Cartoon Network sunsetted it entirely. DeMarco would later say in <a href=\"https:\/\/www.complex.com\/pop-culture\/a\/elijah-watson\/oral-history-of-toonami\">an interview<\/a> that Toonami\u2019s cancellation was likely due to, among other things, \u201ca cross between the wider cultural consciousness moving away from anime and our network having different priorities.\u201d After a decade of trendsetting content, Toonami went out with a whimper.&nbsp;<\/p>\n<p class=\"has-text-align-none\">Toonami took a four-year break from the air, until it returned as part of Adult Swim in 2012. The block was met with much fanfare, as it committed to recapturing a mature audience \u2014 no more kiddy shows like <em>Yu-Gi-Oh GX <\/em>and<em> Bakugan Battle Brawlers<\/em>. Old favorites like <em>Cowboy Bebop <\/em>returned to air, alongside newer hits like <em>Bleach <\/em>and <em>Fullmetal Alchemist: Brotherhood<\/em>. Adult Swim\u2019s Toonami redux was curated in a way that appealed to nostalgic viewers who grew up with the block and those dipping their toe into the anime waters. And this only became more aggressive when the network once again dove into original anime production.&nbsp;<\/p>\n<p class=\"has-text-align-none\">First, the new Toonami had a coup of a premiere to tempt old-school viewers: 2014\u2019s <em>Space Dandy<\/em>, the new anime from the creator of <em>Cowboy Bebop<\/em>. It locked down the world-exclusive premiere of the show, capitalizing on the continued love and acclaim for <em>Bebop<\/em> to bolster the block\u2019s image. And it surrounded <em>Space Dandy <\/em>with other massive hits: <em>Gurren Lagann<\/em>, <em>Attack on Titan<\/em>, and <em>Dragon Ball Z Kai<\/em>, a filler-free recut of the original series. Toonami had reasserted itself as an anime hotspot by giving its original fans the chance to rewatch shows like <em>Dragon Ball Z<\/em>, like the good old days, while introducing them to the action anime\u2019s heir apparents, from <em>Soul Eater <\/em>to <em>One-Punch Man<\/em>. Just as Toonami helped anime fans stay hip in the aughts by showing the best-known series, its Adult Swim revival helped viewers stay on top of the internationally renowned <em>Dragon Ball Z<\/em>s of today \u2014 a crash course in anime coolness.&nbsp;<\/p>\n<p class=\"has-text-align-none\">Nostalgia seemed to be a guiding force for Adult Swim\u2019s version of Toonami, both on a programming level and a production one. The most overt indicator that the network\u2019s new MO was tantalizing viewers with the promise of the past was the network\u2019s biggest commitment to exclusive anime yet: <a href=\"https:\/\/www.polygon.com\/2016\/3\/24\/11301854\/flcl-season-two-new-episodes-toonami\">the return of <em>FLCL<\/em><\/a>, co-produced by Adult Swim.&nbsp;<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<div>\n<div><iframe title=\"FLCL - Official English Clip - Baseball Climax - On DVD and BD 02.22.11\" src=\"https:\/\/www.youtube.com\/embed\/hFw-2m8kCFQ?rel=0\" allowfullscreen allow=\"accelerometer; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share;\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<\/figure>\n<p class=\"has-text-align-none\">Produced by <em>Evangelion <\/em>studio Gainax, <em>FLCL<\/em> aired on Adult Swim\u2019s late-night anime block in 2003. It garnered a cult audience for its frantic pacing, absurd characters, and wholly original storytelling; it\u2019s a show that promotes marathon-viewing, the kind that repertory theaters will screen at midnight to a not-so-sober crowd. <em>FLCL<\/em>\u2019s six episodes became legendary, and it reran often upon Toonami\u2019s return in the 2010s. Yet it was still something of a shock when, in 2016, Adult Swim announced it was co-producing two new seasons of the series to air on Toonami.&nbsp;<\/p>\n<p class=\"has-text-align-none\"><em>FLCL Progressive <\/em>and<em> FLCL Alternative<\/em> (each named after a rock subgenre, befitting the series\u2019 punk ethos) aired between June and October 2018, a punchy, 12-episode run that deviated from the original series. Frequent partner Production I.G, which also worked on the original series, returned; so did the Pillows, the J-rock band behind season 1\u2019s iconic theme and soundtrack. And the pink-haired, guitar-playing agent of chaos Haruko returned as the show\u2019s lead. Other than that, the new <em>FLCL <\/em>was its own beast, expanding upon whatever there was of the original series\u2019 lore. The action was still zany, but the endearingly frantic animation was more muted. Ultimately, none of the seasons \u2014 including two more in 2023, the prequel <em>FLCL: Grunge <\/em>and sequel <em>FLCL: Shoegaze<\/em>, in which Haruko was absent \u2014 received the same level of fanaticism and praise as Gainax\u2019s original.&nbsp;<\/p>\n<p class=\"has-text-align-none\">Even if they\u2019re usually not as good as they hoped for, fans clamor for reboots of beloved, short-lived series like <em>FLCL<\/em>. Adult Swim doubled down on its renewed commitment to anime by bringing one of its hit acquisitions back in a way that was mostly authentic, even if it was imperfect. But \u201cmostly\u201d is crucial for a show as stylistically singular as this one. The company\u2019s ability to resurrect the series \u2014 for four additional seasons, no less \u2014 was limited by the available staff to work on it, which mostly did not include the series\u2019 original creators, like director Kazuya Tsurumaki or screenwriter Y\u014dji Enokido. The first season\u2019s absurd scrappiness was a huge part of the charm \u2014 something that a highly touted reboot could not replicate. Adult Swim successfully threw its weight around here, but the muted reception underscored that the mere act of throwing money behind a beloved anime property may not always be enough.<\/p>\n<div class=\"wp-block-vox-media-highlight vox-media-highlight\">\n<h2 class=\"wp-block-heading\">Where to find the Toonami anime canon<\/h2>\n<p class=\"has-text-align-left\"><strong>Where you can find the Toonami originals you\u2019ve read about here:<\/strong> Shows like <em>The Big O<\/em> are a little tough to watch outside of YouTube bootlegs. But not all of them are hard to track down: <\/p>\n<ul>\n<li><em>IGPX <\/em>&#8211; Adult Swim\u2019s website and Sling with ads<\/li>\n<li><em>Space Dandy<\/em> &#8211; Crunchyroll and Hulu <\/li>\n<li><em>Shenmue<\/em>, <em>Fena: Pirate Princess, <\/em>and <em>Blade Runner: Black Lotu<\/em>s <em>&#8211; <\/em>Crunchyroll <\/li>\n<li><em>FLCL<\/em>: the original on Hulu, <em>Alternative <\/em>and <em>Progressive<\/em> on Crunchyroll, and <a href=\"https:\/\/www.polygon.com\/22983224\/adult-swim-flcl-grunge-flcl-shoegaze-new-seasons-2023\"><em>Grunge <\/em>and <em>Shoegaze<\/em><\/a> on Max and Hulu<\/li>\n<li><em>Ninja Kamui<\/em>, <em><a href=\"https:\/\/www.polygon.com\/anime\/24196516\/rick-and-morty-the-anime-premiere-date-trailer\">Rick and Morty: The Anime<\/a><\/em>, and (eventually) <em><a href=\"https:\/\/www.polygon.com\/anime\/2024\/7\/26\/24207176\/uzumaki-anime-premiere-date-trailer-september\">Uzuamki<\/a><\/em> can be found on Max<\/li>\n<\/ul>\n<p class=\"has-text-align-none\"><strong>The anime Toonami helped popularize:<\/strong> At least to start with\u2026<\/p>\n<ul>\n<li><strong>Crunchyroll: <\/strong><em>Case Closed, Code Geass, <a href=\"https:\/\/www.polygon.com\/22765489\/cowboy-bebop-worst-episode-boogie-woogie-feng-shui\">Cowboy Bebop<\/a>, <a href=\"https:\/\/www.polygon.com\/entertainment\/24101218\/goodbye-akira-toriyama\">Dragon Ball<\/a>, <a href=\"https:\/\/www.polygon.com\/23592933\/dragon-ball-z-garlic-jr-saga-winner-dbz-fights\">Dragon Ball Z<\/a>, <a href=\"https:\/\/www.polygon.com\/23894643\/fullmetal-alchemist-original-anime-2003-brotherhood-fma-fmab-manga\">Fullmetal Alchemist: Brotherhood<\/a>, Mobile Suit Gundam, <a href=\"https:\/\/www.polygon.com\/24081352\/naruto-movie-live-action-shang-chi-destin-daniel-cretton\">Naruto<\/a>, Trigun, YuYu Hakusho<\/em><\/li>\n<li><strong>Hulu:<\/strong> <em>Bleach, Rurouni Kenshin<\/em><\/li>\n<li><strong>Netflix:<\/strong> <em>Death Note, <a href=\"https:\/\/www.polygon.com\/22633960\/rebuild-evangelion-movies-ending\">Neon Genesis Evangelion<\/a>, <a href=\"https:\/\/www.polygon.com\/anime\/24218850\/netflix-one-piece-anime-first-look-behind-scenes\">One Piece<\/a><\/em><\/li>\n<\/ul>\n<\/div>\n<p class=\"has-text-align-none\">Still, the effort pushed open a door to way more originally produced anime than ever before. In 2018, Adult Swim announced that it had hooked up with Western anime power-player Crunchyroll to bring three series to the network. The streaming service had amassed a <a href=\"https:\/\/www.forbes.com\/sites\/robsalkowitz\/2022\/08\/12\/how-crunchyroll-is-building-an-empire-of-anime\/\">dedicated viewer base<\/a> since its 2006 launch, thanks to its huge library of dubbed and subbed anime; at the time, it boasted 1 million subscribers and was growing quickly. (Today, it has <a href=\"https:\/\/www.crunchyroll.com\/news\/announcements\/2024\/8\/7\/crunchyroll-official-surpasses-15-million-subscribers\">15 million<\/a>.) Released in 2021 and 2022, two were once again based on existing properties popular with the typical adult Toonami viewer: <em><a href=\"https:\/\/www.polygon.com\/reviews\/22752896\/blade-runner-black-lotus-review-anime\">Blade Runner: Black Lotus<\/a> <\/em>and, slightly more surprisingly, <em>Shenmue<\/em>. (The other, <em>Fena: Pirate Princess<\/em>, was an original seafaring fantasy.) This partnership <a href=\"https:\/\/www.theoasg.com\/articles\/please-save-my-money\/the-adult-swim-x-crunchyroll-partnership-is-officially-sunk\/30650\">ended fairly abruptly<\/a> after Warner Bros.-owned Crunchyroll was acquired by Sony, a competitor. But considering Toonami once took a low-ratings-induced hiatus, healthy competition is a good thing: Major companies see a reason to spend big bucks on anime again.<\/p>\n<p class=\"has-text-align-none\">In 2024, Adult Swim returned undeterred and with plans for three more original anime. First came February\u2019s <em><a href=\"https:\/\/www.polygon.com\/24066444\/ninja-kamui-adult-swim-anime-impressions\">Ninja Kamui<\/a><\/em>, an action-heavy series co-produced by newer studios E&amp;H Production and Sola Entertainment. But it\u2019s this fall\u2019s two entries into the Adult Swim\/Toonami anime canon that are most intriguing: a <em>Rick and Morty<\/em> anime, a surreal take based on the sci-fi comedy, and an adaptation of horror masterpiece <em>Uzumaki<\/em>. Both suggest an interesting path forward for the network as it carves out its anime-powered future, one that is self-referential and experimental.&nbsp;<\/p>\n<p class=\"has-text-align-none\"><em>Rick and Morty: The Anime<\/em> is a full-length take on popular shorts commissioned by the network in 2020 and 2021. Like those shorts, the endeavor gives professional anime director and self-proclaimed superfan Takashi Sano the chance to play with the show\u2019s world and the medium. It also fills the<em> Rick and Morty<\/em>-sized gap in Adult Swim\u2019s fall schedule, with season 8 still in production. That dual purpose works in Adult Swim\u2019s favor, even if the show itself hasn\u2019t quite gelled with fans. Based on the show thus far, it seems the network is willing to be flexible with its own properties, and not only that, but that it will get weird with them.&nbsp;<\/p>\n<p class=\"has-text-align-none\"><em>Uzumaki<\/em>, meanwhile, appears to be what all of this work has been leading up to all along. The long-awaited adaptation of Junji Ito\u2019s acclaimed manga was first announced in 2019 for a 2020 launch. Then the COVID-19 pandemic happened, and repeated delays ensued. The show is finally due out in September of this year, barring any last-minute changes. But the prolonged wait for the adaptation, pacified with stellar teasers that highlighted how dedicated the network and animation studio Drive were to getting it right, exploded the hype. What was most compelling about<em> Uzumaki<\/em>\u2019s teasers was how closely they paid attention to detail, recapturing Ito\u2019s art style to a T. Unfolding in black and white, it even uses the manga as a storyboard, with many shots taken directly from the mangaka\u2019s work. Between the impressive animation and the popularity of the <em>Uzumaki <\/em>manga, this is a major coup for Adult Swim\u2019s Toonami lineup \u2014 it need only stick the landing for this four-episode miniseries in order to strike gold with fans.&nbsp;<\/p>\n<p class=\"has-text-align-none\">It\u2019s not just a big deal that a seeming labor of love like <em>Uzumaki <\/em>exists at all. It\u2019s also a big deal that Toonami is where it will air \u2014 because Toonami is no longer the biggest, let alone only, game in town. Twenty-one years after <em>The Big O II<\/em>, Adult Swim\u2019s Toonami block is now one of several Western programmers investing in the Japanese anime game. But while Netflix and Crunchyroll have followed in its footsteps, it\u2019s important to note just that: Toonami led the charge. That it continues to chase these projects, and interesting ones at that, is a testament to decades of fannish passion for the medium \u2014 not just chasing trends. And after decades building toward producing a big-deal show like <em>Uzumaki<\/em>, Toonami has more than earned the bragging rights that come with it. <\/p>\n<p><a href=\"https:\/\/www.polygon.com\/anime\/446097\/toonami-original-anime-rick-morty-uzumaki-history\">Source<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In 2024, you can\u2019t throw a stone without hitting an anime fan \u2014 not literally, of course. But what once felt like an exclusive club has become a mainstream, global phenomenon, appearing on everything from major streaming services to giant movie screens. And millions of today\u2019s anime fans have the same place to thank for their introduction to the medium: Toonami, Cartoon Network\u2019s beloved late-\u201990s\/early-aughts after-school programming block. Considering its popularity, it makes sense that the lineup, which now airs on Adult Swim, began producing original anime of its own. But as an American-owned and -operated sub-brand, Toonami\u2019s original anime are special: They\u2019re not only high-quality, they\u2019re authentic, too. After nearly 30 years on the air, and a dozen exclusive anime produced by major studios,&hellip;<\/p>\n<p class=\"excerpt-more\"><a class=\"blog-excerpt button\" href=\"https:\/\/arcader.org\/news\/toonamis-push-for-original-anime-has-always-been-ahead-of-the-curve\/\">Read More&#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":955418,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-955417","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-polygon"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Toonami\u2019s push for original anime has always been ahead of the curve | Arcader News<\/title>\n<meta name=\"description\" content=\"In 2024, you can\u2019t throw a stone without hitting an anime fan \u2014 not literally, of course. 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