{"id":948416,"date":"2025-12-31T17:18:25","date_gmt":"2025-12-31T17:18:25","guid":{"rendered":"https:\/\/www.polygon.com\/?p=444096"},"modified":"2025-12-31T17:18:25","modified_gmt":"2025-12-31T17:18:25","slug":"how-slow-horses-built-the-perfect-asshole","status":"publish","type":"post","link":"https:\/\/arcader.org\/news\/how-slow-horses-built-the-perfect-asshole\/","title":{"rendered":"How Slow Horses built the perfect asshole"},"content":{"rendered":"
\"Jackson
<\/figcaption><\/figure>\n

When we first meet Jackson Lamb (Gary Oldman) in Slow Horses<\/a><\/em>, the camera has glided over the debris on his desk to find him waking himself up with a fart on the couch in his office. It\u2019s a fitting introduction for an unlikely protagonist: Across Slow Horses<\/em><\/a> we see Lamb routinely berate, belittle, and besmirch all those around him. He is TV\u2019s biggest asshole, as unrepentant as he is vulgar. He is, also, a perfectly beguiling shitbag, and one of TV\u2019s best.\u00a0<\/p>\n

The art of creating the perfect asshole might not seem complicated on paper. Evil, as the adage goes, is a constant<\/a>, and often a childish one at that. It\u2019s easy to imagine badness and carry it out on screen, however unskillfully. But Jackson Lamb is not simply a bad boss, or even a bad person. Slow Horses<\/em>, adapted from Mick Herron\u2019s Slough House series of spy novels, is always very careful about that, even when he\u2019s just said one of the rudest things you\u2019ve ever heard, whether it\u2019s poking fun at someone\u2019s addiction, mocking their dead spouse, or endlessly encouraging his employees to quit. <\/p>\n

Oldman plays Lamb like a true pain in the ass \u2014 which is to say, aggravating and limiting, but decidedly sharp and constantly trying to communicate something deeper. It\u2019s what makes him so profoundly frustrating to those around him: You can discount him at your own peril. But you\u2019ll have to sit through a steady stream of causticity to find a pearl of wisdom. <\/p>\n

Still, the writers of Slow Horses<\/em> are careful to balance Lamb\u2019s dickish behavior as best they can. That doesn\u2019t involve tempering it so much as it is giving him a strange, acidic logic. He will frequently offer Standish (Saskia Reeves), who\u2019s years in recovery from alcohol addiction, a drink. Showrunner Will Smith (not that one) says this is his own way of checking that she\u2019s still on the wagon. (\u201cIt\u2019s not the traditional way of checking that somebody is handling sobriety,\u201d Smith laughs.) Even the smallest joke or fart is there to push people\u2019s buttons, test a reaction, throw someone off the scent, or purely (as is often the case with those at the Park) demonstrating that he knows more than them. In all these times he is playing to expectations of him and his slobbish behavior, even when he\u2019s simply out to subvert it.\u00a0<\/p>\n

\"\"<\/p>\n

\u201cLamb is all about minimal effort. He just wants to be behind the desk,\u201d Smith tells Polygon. \u201cHe\u2019d never admit he was doing the honorable thing \u2014 even though he always does. He saves the day; he always saves people. He steps up.\u201d <\/p>\n

But the final piece of the Lamb puzzle comes from a very important character choice: He\u2019s not omnipotent, nor does his backstory excuse his behavior. <\/p>\n

It\u2019s straightforward enough as a concept. But too much of pop culture asks its protagonists to feel like good morals before they feel like good characters. Lamb is far from a gleaming beacon of virtue, but Slow Horses<\/em> isn\u2019t set up to make you think he should secretly be received as such either. He\u2019s a jaded jerk, someone so wounded by betrayals in his past that he takes it out on those around him constantly. To Lamb, his abuse is a mercy, a way to discourage them from getting eaten up the way he was. After devoting his life to MI5 and trusting in his friend, what he has to show for it is a dirty conscience and a filthy mouth. He didn\u2019t want to be a civilian, but he can\u2019t bring himself to serve the institution either. <\/p>\n

Like so many complicated protagonists \u2014\u00a0and, increasingly, villains<\/a> \u2014 Lamb has good reason to be jaded. It\u2019s a late reveal, pulling back on his central wound with what Smith remembers in a single line: Years ago, Lamb had to go and shoot his friend and mentor Charles Partner, and in return he asked for Slough House.\u00a0<\/p>\n

\"\"<\/p>\n

In a way, this guides many of the seasons of Slow Horses<\/em>, which inevitably circle back in some way to how Lamb\u2019s life was shattered by Partner\u2019s betrayal. But the way we see it guide Lamb, mostly, is merely deeper into churlishness. Self-awareness is kept totally to himself. He uses his keen spy skills to learn things about people in order to weaponize them and throw them off their feet. Unlike many of those complicated villains (and their heroes), this is not so that we can better understand how he\u2019s good, actually; Lamb\u2019s arc is at its end, and the damage has been done. <\/p>\n

Still, Slow Horses<\/em> is smart enough to know that even smoking ruins yield treasures. Perhaps the greatest trick of Lamb\u2019s competence is that he is<\/em> still hard at work, even when he shrugs it off. He doesn\u2019t know everything, he just knows enough<\/em>. \u201cWe always feel he\u2019s the smartest guy in the room, but once he\u2019s got all the bits he\u2019ll let the Slough Horses go off and do the leg work,\u201d Smith says. \u201cHe doesn\u2019t let people in when he\u2019s ahead; he can\u2019t be bothered to explain to people. So he\u2019ll only let them in on the bits that are going to motivate them.\u201d<\/p>\n

In a different show, a weaker show, Lamb might become a dangerously perfect protagonist with this sort of skill profile. Instead, he\u2019s the perfect cautionary tale; a completely unlikable guy you still love and would never want to work with; the ultimate asshole. Even four seasons in, Slow Horses<\/em> feels like an exercise in character without letting tragic backstory become the defining feature. It\u2019s what allows Oldman to plant gorgeous little moments of hope glimmering through all that muck: You can see the shifts when he happens on an unexpected crime scene, or indications that a member of his team is missing \u2014 hell, even Lamb\u2019s profile is defined by Oldman slouching his body and pulling his head in to make his frame appear larger than he is. He shifts into the man he was, the man he still could be but has no desire to chase anymore. He can\u2019t help it, any more than he can help being so broken in the uncaring world of espionage. Like Smith says, he\u2019s always going to step out \u2014\u00a0even if he\u2019d rather not have to take his feet off the desk. <\/p>\n

\n

Slow Horses season 4 premieres on Apple TV Plus on Sept. 4.<\/em><\/p>\n

Source<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

When we first meet Jackson Lamb (Gary Oldman) in Slow Horses, the camera has glided over the debris on his desk to find him waking himself up with a fart on the couch in his office. It\u2019s a fitting introduction for an unlikely protagonist: Across Slow Horses we see Lamb routinely berate, belittle, and besmirch all those around him. He is TV\u2019s biggest asshole, as unrepentant as he is vulgar. He is, also, a perfectly beguiling shitbag, and one of TV\u2019s best.\u00a0 The art of creating the perfect asshole might not seem complicated on paper. Evil, as the adage goes, is a constant, and often a childish one at that. It\u2019s easy to imagine badness and carry it out on screen, however unskillfully. But Jackson…<\/p>\n

Read More…<\/a><\/p>\n","protected":false},"author":1,"featured_media":948417,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-948416","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-polygon"],"yoast_head":"\nHow Slow Horses built the perfect asshole | Arcader News<\/title>\n<meta name=\"description\" content=\"When we first meet Jackson Lamb (Gary Oldman) in Slow Horses, the camera has glided over the debris on his desk to find him waking himself up with a fart\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/arcader.org\/news\/how-slow-horses-built-the-perfect-asshole\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" 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