{"id":945724,"date":"2025-12-31T12:14:18","date_gmt":"2025-12-31T12:14:18","guid":{"rendered":"https:\/\/www.polygon.com\/?p=443730"},"modified":"2025-12-31T12:14:18","modified_gmt":"2025-12-31T12:14:18","slug":"the-best-movies-leaving-netflix-max-and-prime-at-the-end-of-august-2024","status":"publish","type":"post","link":"https:\/\/arcader.org\/news\/the-best-movies-leaving-netflix-max-and-prime-at-the-end-of-august-2024\/","title":{"rendered":"The best movies leaving Netflix, Max, and Prime at the end of August 2024"},"content":{"rendered":"<figure> <img decoding=\"async\" alt=\"Dev Patel, in gray armor with his head bowed, in The Green Knight\" data-caption=\"\" data-portal-copyright=\"\" data-has-syndication-rights=\"1\" src=\"https:\/\/arcader.org\/wp-content\/uploads\/2024\/08\/the-best-movies-leaving-netflix-max-and-prime-at-the-end-of-august-2024.jpg\" \/><figcaption><\/figcaption><\/figure>\n<p class=\"has-drop-cap has-text-align-none\">We\u2019re almost to the end of the month, and that means a lot of coming and going on every major streaming platform. And while plenty of exciting movies are on the way in September, we\u2019re here to make sure you don\u2019t miss the gems leaving at the end of August.&nbsp;<\/p>\n<p class=\"has-text-align-none\">To help you close out summer with the best movies possible, we\u2019ve put together a list of the very best movies leaving streaming services at the end of the month, including a unique coming-of-age movie, two dark fantasy trips, and two vibes masterpieces from the great Michael Mann.&nbsp;<\/p>\n<p class=\"has-text-align-none\">Here are the best movies leaving streaming at the end of August.&nbsp;<\/p>\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n<h2 class=\"wp-block-heading\" id=\"editor-s-pick\">Editor\u2019s pick: The Edge of Seventeen<\/h2>\n<p><img decoding=\"async\" src=\"https:\/\/arcader.org\/wp-content\/uploads\/2024\/08\/the-best-movies-leaving-netflix-max-and-prime-at-the-end-of-august-2024-1.jpg\" alt=\"Hailee Steinfeld as Nadine in The Edge of Seventeen, holding a soda can and wearing a bright blue jacket \" title=\"Hailee Steinfeld as Nadine in The Edge of Seventeen, holding a soda can and wearing a bright blue jacket \" data-has-syndication-rights=\"1\" data-caption=\"Image: STX Entertainment via Everett Collection\" data-portal-copyright=\"Image: STX Entertainment via Everett Collection\" \/><\/p>\n<p class=\"has-text-align-none\"><strong>Director: <\/strong>Kelly Fremon Craig<br \/><strong>Cast:<\/strong> Hailee Steinfeld, Haley Lu Richardson, Blake Jenner<br \/><strong>Leaving Netflix:<\/strong> Aug. 31&nbsp;<\/p>\n<p class=\"has-text-align-none\">Teenagers aren\u2019t all movies make them out to be. Sure, they have their moments of pluckiness or compassionate understanding, and most will turn out all right in a few years, but there\u2019s a lot of selfishness to get through first. And very few movies have ever portrayed that selfishness as well as <em>The Edge of Seventeen<\/em>.&nbsp;<\/p>\n<p class=\"has-text-align-none\">The movie follows Nadine (Hailee Steinfeld), a young girl struggling through life with her brother (Blake Jenner) and mom (Kyra Sedgwick) after the unexpected death of her dad. In her grief, Nadine is mean, angry, and seemingly blind to the grief of everyone around her, all problems that only get worse when her best friend (Haley Lu Richardson) starts dating her brother.&nbsp;<\/p>\n<p class=\"has-text-align-none\">All of this may sound like a bit of a drag, but among the movie\u2019s many strengths is how wonderfully funny it manages to stay from front to back. This is thanks in large part to Steinfeld\u2019s incredible performance, which walks a perfect line, constantly keeping Nadine thoroughly mean and undeniably charming. It\u2019s the rare movie where you spend the whole time not rooting for the main character to succeed but for her to realize that she is being a jerk. There aren\u2019t enough movies like this, about likable characters who are totally wrong, but that\u2019s probably because it\u2019s not nearly as easy as <em>The Edge of Seventeen<\/em> makes it look. \u2014<em>Austen Goslin<\/em><\/p>\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n<h2 class=\"wp-block-heading\" id=\"movies-leaving-prime-video\">Movies leaving Prime Video<\/h2>\n<h3 class=\"wp-block-heading\" id=\"bram-stoker-s-dracula\">Bram Stoker\u2019s Dracula<\/h3>\n<p><img decoding=\"async\" src=\"https:\/\/arcader.org\/wp-content\/uploads\/2024\/08\/the-best-movies-leaving-netflix-max-and-prime-at-the-end-of-august-2024-2.jpg\" alt=\"\" title=\"\" data-has-syndication-rights=\"1\" data-caption=\"\" data-portal-copyright=\"\" \/><\/p>\n<p class=\"has-text-align-none\"><strong>Director: <\/strong>Francis Ford Coppola&nbsp;<br \/><strong>Cast:<\/strong> Gary Oldman, Keanu Reeves, Winona Ryder<br \/><strong>Leaving Prime Video:<\/strong> Aug. 31<\/p>\n<p class=\"has-text-align-none\">When you think of actors who exude the unearthly sex appeal and monstrous inclination one would expect from the iconic Count Dracula, Gary Oldman isn\u2019t exactly the first name that would leap to most folks\u2019 minds. That\u2019s what makes his performance in Francis Ford Coppola\u2019s 1992 horror fantasy so remarkable, as Oldman\u2019s out-of-character portrayal of the sullen, blood-sucking libertine opposite Keanu Reeves\u2019 performance as the heroic Jonathan Harker makes for one of the most memorable incarnations of the Count to ever be put on screen.<\/p>\n<p class=\"has-text-align-none\">Combined with the film\u2019s gorgeous practical set designs, elaborate costumes courtesy of designer Eiko Ishioka, and some notable supporting performances by Anthony Hopkins and Tom Waits, <em>Bram Stoker\u2019s Dracula<\/em> is one of the most unique films in Coppola\u2019s highly celebrated body of work. And with <a href=\"https:\/\/www.polygon.com\/24156434\/megalopolis-trailer\"><em>Megalopolis<\/em><\/a><em> <\/em>around the corner, the time is right to revisit one of his classics. <em>\u2014Toussaint Egan<\/em><\/p>\n<h2 class=\"wp-block-heading\" id=\"movies-leaving-netflix\">Movies leaving Netflix<\/h2>\n<h3 class=\"wp-block-heading\" id=\"miami-vice\">Miami Vice<\/h3>\n<p><img decoding=\"async\" src=\"https:\/\/arcader.org\/wp-content\/uploads\/2024\/08\/the-best-movies-leaving-netflix-max-and-prime-at-the-end-of-august-2024-3.jpg\" alt=\"\" title=\"\" data-has-syndication-rights=\"1\" data-caption=\"\" data-portal-copyright=\"\" \/><\/p>\n<p class=\"has-text-align-none\"><strong>Director:<\/strong> Michael Mann<br \/><strong>Cast: <\/strong>Colin Farrell, Jamie Foxx, Naomie Harris<br \/><strong>Leaving Netflix:<\/strong> Aug. 31&nbsp;<\/p>\n<p class=\"has-text-align-none\">Michael Mann has made a number of certified cinematic bangers across his long and illustrious career, like his 1995 symphonic crime drama <em>Heat<\/em>, one of my all-time favorite movies. But no other film in his oeuvre is more quintessentially \u201cMann-core\u201d than <em>Miami Vice<\/em>, the feature-length adaptation of the 1984 crime drama series Mann produced that starred Don Johnson and Philip Michael Thomas.<\/p>\n<p class=\"has-text-align-none\">The plot couldn\u2019t be any further from the point. Here\u2019s the real heart of <em>Miami Vice<\/em>\u2019s enduring appeal: It simply doesn\u2019t look or feel like any other crime drama of its era. Mann\u2019s experiment with digital photography yields a level of uncanny realism through its landscape of crushed brown and black textures and bleached white beach vistas. It\u2019s a crime drama that oozes a sense of cool entirely on its own terms, a grand experiment that has yielded a cult following and reappraisal as one of the director\u2019s best. In short, <em>Miami Vice<\/em> is a vibe. <em>\u2014TE<\/em><\/p>\n<h2 class=\"wp-block-heading\" id=\"movies-leaving-max\">Movies leaving Max<\/h2>\n<h3 class=\"wp-block-heading\" id=\"the-green-knight\">The Green Knight<\/h3>\n<p><img decoding=\"async\" src=\"https:\/\/arcader.org\/wp-content\/uploads\/2024\/08\/the-best-movies-leaving-netflix-max-and-prime-at-the-end-of-august-2024-4.jpg\" alt=\"\" title=\"\" data-has-syndication-rights=\"1\" data-caption=\"\" data-portal-copyright=\"\" \/><\/p>\n<p class=\"has-text-align-none\"><strong>Director:<\/strong> David Lowery<strong>&nbsp;<\/strong><br \/><strong>Cast:<\/strong> Dev Patel, Alicia Vikander, Ralph Ineson<br \/><strong>Leaving Max:<\/strong> Aug. 31<\/p>\n<p class=\"has-text-align-none\"><em>The Green Knight<\/em> is one of the most beautiful movies of the last decade. Director David Lowery\u2019s film retells the poem \u201cSir Gawain and the Green Knight,\u201d in which the knight Sir Gawain (Dev Patel) decapitates a mysterious Green Knight (Ralph Ineson) and travels to receive \u201can equal blow\u201d one year later. While Lowery\u2019s film technically tells the whole story, its main focus is the odd events that befall Gawain in his travels to the Green Chapel.<\/p>\n<p class=\"has-text-align-none\">Watching this movie feels like being trapped in a dream, a flood of gorgeous images loosely connected by an outstanding performance from Patel as the ne&#8217;er-do-well knight who isn\u2019t sure whether he\u2019s on a march to the gallows. In each progressively more strange scene, Patel sells Gawain\u2019s wonderful incredulousness, somehow simultaneously rooted in the weirdness of his present moment, and drifting mentally to his appointment with a deity that might wish him dead. It\u2019s bizarre, poetic, and tremendously affecting in ways that make it a more than worthy adaptation of the classic Arthurian tale. \u2014<em>AG<\/em><\/p>\n<h2 class=\"wp-block-heading\" id=\"movies-leaving-criterion-channel\">Movies leaving Criterion Channel<\/h2>\n<h3 class=\"wp-block-heading\" id=\"thief\">Thief<\/h3>\n<p><img decoding=\"async\" src=\"https:\/\/arcader.org\/wp-content\/uploads\/2024\/08\/the-best-movies-leaving-netflix-max-and-prime-at-the-end-of-august-2024.png\" alt=\"\" title=\"\" data-has-syndication-rights=\"1\" data-caption=\"\" data-portal-copyright=\"\" \/><\/p>\n<p class=\"has-text-align-none\"><strong>Director:<\/strong> Michael Mann<br \/><strong>Cast:<\/strong> James Caan, Willie Nelson, Tuesday Weld<br \/><strong>Leaving Criterion Channel:<\/strong> Aug. 31<\/p>\n<p class=\"has-text-align-none\">The late, great James Caan (<em>The Godfather<\/em>) stars in Michael Mann\u2019s 1981 neo-noir heist thriller <em>Thief<\/em> as Frank, an ex-con and professional safecracker looking to go straight and start a family. Unfortunately for him, Frank is denied his share of his latest heist, forcing him to accept an assignment from the Mob in order to break even. With a beautiful synth score by Tangerine Dream, dazzling nighttime cinematography by Donald Thorin, and an iconic and emotionally nuanced performance by Caan, <em>Thief<\/em> is a stone-cold stunner and a gem in the crown of one of the finest directors working today. End of blurb. <em>\u2014TE<\/em><\/p>\n<p><a href=\"https:\/\/www.polygon.com\/recommendations\/443730\/best-movies-netflix-amazon-hulu-leaving-august-2024\">Source<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>We\u2019re almost to the end of the month, and that means a lot of coming and going on every major streaming platform. And while plenty of exciting movies are on the way in September, we\u2019re here to make sure you don\u2019t miss the gems leaving at the end of August.&nbsp; To help you close out summer with the best movies possible, we\u2019ve put together a list of the very best movies leaving streaming services at the end of the month, including a unique coming-of-age movie, two dark fantasy trips, and two vibes masterpieces from the great Michael Mann.&nbsp; Here are the best movies leaving streaming at the end of August.&nbsp; Editor\u2019s pick: The Edge of Seventeen Director: Kelly Fremon CraigCast: Hailee Steinfeld, Haley Lu Richardson,&hellip;<\/p>\n<p class=\"excerpt-more\"><a class=\"blog-excerpt button\" href=\"https:\/\/arcader.org\/news\/the-best-movies-leaving-netflix-max-and-prime-at-the-end-of-august-2024\/\">Read More&#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":945725,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-945724","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-polygon"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The best movies leaving Netflix, Max, and Prime at the end of August 2024 | Arcader News<\/title>\n<meta name=\"description\" content=\"We\u2019re almost to the end of the month, and that means a lot of coming and going on every major streaming platform. 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