{"id":1604855,"date":"2026-06-12T13:52:23","date_gmt":"2026-06-12T13:52:23","guid":{"rendered":"http:\/\/pTimwanTCCV5xmAiPBFzai"},"modified":"2026-06-12T13:52:23","modified_gmt":"2026-06-12T13:52:23","slug":"im-sad-im-angry-im-interested-destinys-final-cutscenes-are-a-painful-end-to-a-new-saga-cut-short","status":"publish","type":"post","link":"https:\/\/arcader.org\/news\/im-sad-im-angry-im-interested-destinys-final-cutscenes-are-a-painful-end-to-a-new-saga-cut-short\/","title":{"rendered":"I’m sad, I’m angry, I’m interested: Destiny’s final cutscenes are a painful end to a new saga cut short"},"content":{"rendered":"
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Destiny 2’s<\/a> Monuments of Triumph is here, the final update<\/a> for the game and potentially the last Destiny anything<\/em>. Even This Week In Destiny, my weekly ritual for over a decade now, is coming to an end<\/a>. To that end, Bungie has crammed in as much of a conclusion as possible, given we’re actually at the start of a brand-new saga.<\/p>\n

After the conclusion of the decade-long Light and Darkness saga in The Final Shape, Bungie kicked off the Fate saga, beginning with The Edge of Fate. It’s all about the mysterious god-like entities affiliated with the planets of the Sol system who have been pulling the strings this entire time. They control time, setting up key events like dominoes.<\/p>\n

Say what you will about The Edge of Fate, but its story was the most fascinating aspect. New character Lodi (one of the best in the series, no less), a pre-Golden Age guy working at Destiny’s version of the Federal Bureau of Control, was ripped out of the space age and brought to space in the far future. Turns out he was a co-worker of Ikora’s, though Guardians don’t tend to remember their past.<\/p>\n

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