{"id":1201644,"date":"2026-02-19T13:02:52","date_gmt":"2026-02-19T13:02:52","guid":{"rendered":"https:\/\/www.polygon.com\/?p=599421"},"modified":"2026-02-19T13:02:52","modified_gmt":"2026-02-19T13:02:52","slug":"final-destination-bloodlines-directors-say-imax-viewers-will-get-a-version-no-one-else-will-ever-see","status":"publish","type":"post","link":"https:\/\/arcader.org\/news\/final-destination-bloodlines-directors-say-imax-viewers-will-get-a-version-no-one-else-will-ever-see\/","title":{"rendered":"Final Destination: Bloodlines directors say IMAX viewers will get a version no one else will ever see"},"content":{"rendered":"<figure> <img decoding=\"async\" alt=\"\" data-caption=\"\" data-portal-copyright=\"\" data-has-syndication-rights=\"1\" src=\"https:\/\/arcader.org\/wp-content\/uploads\/2025\/05\/final-destination-bloodlines-directors-say-imax-viewers-will-get-a-version-no-one-else-will-ever-see.jpg\" \/><figcaption><\/figcaption><\/figure>\n<p class=\"has-drop-cap has-text-align-none\">It\u2019s been nearly 15 years since <em>Final Destination 5<\/em>, the most recent installment in the horror-movie franchise where someone responds to a premonition about deadly disaster by saving the victims, who death then jealously pursues in the order they should have died, through a series of ridiculous contrivances. The series revives with <em>Final Destination: Bloodlines<\/em>, which puts a new twist on the gimmick: This time around, one survivor of the original disaster staved off death long enough to have kids and grandkids, so death chases them down too, in order of birth.\u00a0<\/p>\n<p class=\"has-text-align-none\">For a lot of filmmakers, that time gap would be a reason to start from scratch as much as possible, to revamp and update the franchise. Directors Adam B. Stein and Zach Lipovsky (who also made the <a href=\"https:\/\/www.theverge.com\/2018\/9\/11\/17846252\/freaks-review-trailer-bruce-dern-emile-hirsch-lexy-kolker-tiff-2018\">fascinating 2018 sci-fi puzzlebox movie <em>Freaks<\/em><\/a>, now on Netflix) certainly do some of that \u2014&nbsp;including using their framing for an IMAX version of the movie they say will never be seen in any other format. But they also told Polygon that they went back to study the franchise\u2019s previous films in obsessive detail, to capture everything that made these movies work.<\/p>\n<p class=\"has-text-align-none\">\u201cThere are key shots in the previous movies that are iconic,\u201d Lipovsky told Polygon via Zoom. \u201cWe just were so inspired by them. We even took it to the next level \u2014 we analyzed every single death set piece in all the previous movies, and built this incredibly complex spreadsheet with how many omens they had, what type of death it was, and what the other deaths were that came after it, to see what the pattern of death was, and which ones worked really well, and which ones didn&#8217;t. We really analyzed the key DNA pieces, the set pieces we could best learn from and bring into our movie.\u201d<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/arcader.org\/wp-content\/uploads\/2025\/05\/final-destination-bloodlines-directors-say-imax-viewers-will-get-a-version-no-one-else-will-ever-see-1.jpg\" alt=\"Stefanie (Kaitlyn Santa Juana), a dark-haired young woman, stands with her back to the camera, in front of an elaborate timeline on the wall built on newspaper clips covered with red ink lines and post-its, in Final Destination: Bloodlines\" title=\"Stefanie (Kaitlyn Santa Juana), a dark-haired young woman, stands with her back to the camera, in front of an elaborate timeline on the wall built on newspaper clips covered with red ink lines and post-its, in Final Destination: Bloodlines\" data-has-syndication-rights=\"1\" data-caption=\"\" data-portal-copyright=\"Photo: Eric Milner\/Warner Bros. Entertainment\" \/><\/p>\n<p class=\"has-text-align-none\">He says previous Final Destination movies showed death\u2019s impending arrival on a scene in a variety of ways, \u201cwhether that&#8217;s through wind, or the way the camera moves, or the way water drips, or things like that,\u201d which the directors picked up for <em>Bloodlines<\/em>. \u201cBut even the fun they had with the way they transition from one scene to the next, we were really inspired by that as well. One of our all-time favorite shots is when [2006\u2019s <em>Final Destination 3<\/em>] cuts from the two tanning beds to the two coffins. It&#8217;s cinematic, but it also has an irony and a fun to it. That&#8217;s the tone you&#8217;re always trying to capture.\u201d<\/p>\n<p class=\"has-text-align-none\">The \u201carrival of death\u201d tipoffs in a Final Destination movie also include creepy music cues, and ominous shots of the various mundane objects that are about to self-assemble into a murderous Rube Goldberg device leading to a messy death. But with <em>Bloodlines<\/em>, Stein says, the team added in IMAX camera cues.<\/p>\n<p class=\"has-text-align-none\">\u201cBecause we got to work with the IMAX team, to film it for IMAX with their cameras and their specs, they really encouraged us to see if there was a way we could use the IMAX aspect ratio shift as a creative tool,\u201d Stein says. \u201cAnd that got us really excited to use it almost as a omen in itself. In the IMAX version of this movie, there is a specific shot where we have a creepy push-in for each death sequence that we designed to be the moment where we expand to the IMAX aspect ratio right as death arrives. It\u2019s the harbinger of death.\u201d<\/p>\n<p class=\"has-text-align-none\">That effect won\u2019t be visible at all for people in regular theaters, or watching the film later in home formats, Stein says. \u201cIt\u2019s only in the IMAX version of the movie, which you can only see opening week in IMAX theaters. It&#8217;ll never be released on home video or on streaming. So for audiences that don&#8217;t know that&#8217;s what&#8217;s happening, they&#8217;ll just feel it as a bit of an increase in the intensity in those moments, as they get sucked into that bigger aspect ratio. And for the IMAX fans who have a keen eye, who are looking out for it, they&#8217;ll be able to see those particular shots where death arrives and leaves each scene.\u201d<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/arcader.org\/wp-content\/uploads\/2025\/05\/final-destination-bloodlines-directors-say-imax-viewers-will-get-a-version-no-one-else-will-ever-see-2.jpg\" alt=\"\" title=\"\" data-has-syndication-rights=\"1\" data-caption=\"\" data-portal-copyright=\"\" \/><\/p>\n<p class=\"has-text-align-none\">Stein and Lipovsky\u2019s enthusiasm for the franchise shows through when they talk about the details of their plot, with the central family facing death one by one. But they light up even more when talking about the filmmaking process. \u201cFinal Destination is the ultimate treat for a filmmaker to shoot, because there is no personified antagonist,\u201d Lipovsky said. \u201cThere&#8217;s no monster, there&#8217;s no man with a knife, no nothing. It&#8217;s just shots of objects and the wind, and the way the camera rotates slightly and pushes in. Ultimately, it&#8217;s really the filmmaking that&#8217;s coming for these characters, and all the clever ways these objects are misdirecting them and moving around them \u2014 which is ultimately us.<\/p>\n<p class=\"has-text-align-none\">\u201cSo basically, Adam and I got to be death, to build all these crazy machines and use all the tools of cinema we delight in to create tension. And that&#8217;s a really just a beautiful gift as a filmmaker to indulge yourself with, and to play with all the incredible technicians we collaborated with, to just give the sense that there&#8217;s an evil force there, even though you don&#8217;t see anything.\u201d<\/p>\n<p class=\"has-text-align-none\">Stein says that dynamic&nbsp;\u2014 getting to \u201cplay death\u201d in every sequence \u2014 made the project fun for him and Lipovsky in a way that they hope carries over to the audience. \u201cA lot of people assume horror movie sets are very bleak, but there&#8217;s a great sense of playfulness and fun in horror,\u201d he said. \u201cBecause you&#8217;re letting loose with your dark sense of humor, and all the technicians are having so much fun with being covered in fake blood, and having fake bodies being torn apart by puppeteers. All those practical effects bring a lot of fun to the set, as everyone&#8217;s figuring out how to do all this stuff.<\/p>\n<p class=\"has-text-align-none\">\u201cAnd I think that comes across on screen, especially in a tone like Final Destination&#8217;s. We always said we wanted to create a movie where you have to watch it through your fingers \u2019cause it&#8217;s so intense, but you&#8217;re also laughing at the same time. And when you see this movie in a packed theater with an audience that is really coming into the audience experience in that way \u2014 everyone is horrified, and they have to look away. But they&#8217;re also laughing uproariously, which I think surprises some people when they really see this movie in a packed theater.\u201d <\/p>\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n<p class=\"has-text-align-none\"><em>Final Destination: Bloodlines <\/em>opens in theaters on May 16.<\/p>\n<p><a href=\"https:\/\/www.polygon.com\/horror\/599421\/final-destination-bloodlines-directors-interview-special-imax-version\">Source<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>It\u2019s been nearly 15 years since Final Destination 5, the most recent installment in the horror-movie franchise where someone responds to a premonition about deadly disaster by saving the victims, who death then jealously pursues in the order they should have died, through a series of ridiculous contrivances. The series revives with Final Destination: Bloodlines, which puts a new twist on the gimmick: This time around, one survivor of the original disaster staved off death long enough to have kids and grandkids, so death chases them down too, in order of birth.\u00a0 For a lot of filmmakers, that time gap would be a reason to start from scratch as much as possible, to revamp and update the franchise. Directors Adam B. Stein and Zach Lipovsky&hellip;<\/p>\n<p class=\"excerpt-more\"><a class=\"blog-excerpt button\" href=\"https:\/\/arcader.org\/news\/final-destination-bloodlines-directors-say-imax-viewers-will-get-a-version-no-one-else-will-ever-see\/\">Read More&#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":1201645,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-1201644","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-polygon"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Final Destination: Bloodlines directors say IMAX viewers will get a version no one else will ever see | Arcader News<\/title>\n<meta name=\"description\" content=\"It\u2019s been nearly 15 years since Final Destination 5, the most recent installment in the 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