{"id":1141551,"date":"2026-02-05T23:13:12","date_gmt":"2026-02-05T23:13:12","guid":{"rendered":"https:\/\/www.polygon.com\/?p=534820"},"modified":"2026-02-05T23:13:12","modified_gmt":"2026-02-05T23:13:12","slug":"win-or-lose-is-a-glimpse-of-what-pixar-does-best-and-what-it-should-do-more-of","status":"publish","type":"post","link":"https:\/\/arcader.org\/news\/win-or-lose-is-a-glimpse-of-what-pixar-does-best-and-what-it-should-do-more-of\/","title":{"rendered":"Win or Lose is a glimpse of what Pixar does best \u2014 and what it should do more of"},"content":{"rendered":"
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<\/figcaption><\/figure>\n

Oh, Pixar \u2014 at it again with a funky concept that goes all in on the emotions. In the case of Win or Lose<\/em><\/a>, the studio\u2019s first television series, it\u2019s all about externalizing internal feelings and thoughts with some incredibly vibrant visualizations.<\/p>\n

The show follows a middle school softball team in the week leading up to their big championship game, with each episode focusing on a different character associated with the team. The first features the coach\u2019s kid battling her anxiety, for instance, which manifests as a giant sweat blob whispering insecurities into her ear; the fifth shows the world through the eyes of one player\u2019s little brother, who imagines exciting make-believe scenarios in a crayon style. Visually, it\u2019s very charming and also incorporates a whole gamut of styles outside the typical Pixar mold.<\/p>\n

But what makes Pixar\u2019s Win or Lose <\/em>so memorable isn\u2019t just the splashy, fantastical moments; it\u2019s that because<\/em> the fantastical elements are in the characters\u2019 heads, the story itself is incredibly grounded, more so than the typical Pixar movie. It really speaks to Pixar\u2019s story-first mantra that used to guide the company \u2014 and where the studio should go from here. <\/p>\n

[Ed. note: <\/strong>This post contains some spoilers for Win or Lose<\/em>.]\u00a0<\/p>\n

\"\"<\/p>\n

The third and fourth episodes (released in a pair, as all the episodes have been) perfectly illustrate just how good the series has been. The third episode sees team catcher Rochelle repeatedly stepping up to act as an adult, which manifests in her donning an imaginary power suit and growing in stature. From her point of view, her mom, Vanessa, is carefree and almost frivolous, more preoccupied with her social media following than any parenting duties.<\/p>\n

It\u2019s deeply stressful to watch a middle school student have to scrape together money to pay her softball team dues while her mother seemingly ignores her. That\u2019s your kid! You should pay more attention to her!\u00a0<\/p>\n

But the fourth episode focuses on Vanessa, and we immediately learn that she keeps up her bubbly and irreverent attitude because<\/em> she\u2019s under so much pressure and doesn\u2019t want her kids to worry about her. She\u2019s not only dealing with the stress of being a single mom (and one of those kids is a toddler, to boot!), but the judgment that comes from it. Her social media following \u2014 which in Pixar fashion manifests as a cloud of adorable pink hearts \u2014 gives her the confidence to hold her head up high and get stuff done.\u00a0<\/p>\n

The visual metaphors of Rochelle\u2019s power suit and Vanessa\u2019s social media followers are certainly fun, but they wouldn\u2019t hit nearly as hard if their story didn\u2019t. The fantasy never gets too<\/em> out there to detract from the overall story. All of the episodes have so far told tight, contained narratives \u2014 and few of them have ended happily. It\u2019s a surprisingly poignant look into the highs and lows of being in middle school (or, in the case of Vanessa and also umpire and teacher Frank, being around middle schoolers).\u00a0<\/p>\n

\"\"<\/p>\n

The truth is, despite the studio\u2019s ambitious reputation, the best Pixar movies in recent history haven\u2019t necessarily been the ones that go all in on a wacky concept, but rather the ones that have one foot firmly planted in more grounded situations. Turning Red<\/em><\/a> was fantastic because it used a big, fluffy, red metaphor to dive into a complicated relationship between mother and daughter. Elemental<\/em><\/a>, meanwhile, lost a lot of emotional resonance because of the million world-building questions that poked holes in its fundamental theme. Win or Lose <\/em>is firmly in the former camp, even more so than Turning Red<\/em>, since all of the fantasy elements are actually in the characters\u2019 heads. That doesn\u2019t make it any less powerful \u2014 in fact, seeing Rochelle and her mother embrace without any wacky frills at the end of the fourth episode hits so much harder when just seconds before, the world was metaphorically up in the air. They hug, and everything falls into place, no power suit, no glowing hearts, just a mother and daughter leaning on one another.\u00a0<\/p>\n

Early Pixar movies were known for taking non-human characters and giving them surprisingly emotional stories; movies like Toy Story<\/em>, Monsters, Inc<\/em>., and Finding Nemo<\/em> presented fantastical worlds, but didn\u2019t let those larger-than-life elements bog them down. But recently, the emotional heart that used to define Pixar movies has been overwhelmed by everything else going on (how many times did they have to clarify that Lightyear<\/em><\/a> was based on the \u201creal\u201d Buzz Lightyear?). Maybe, though, the new wave of Pixar should be turning toward human characters and sprinkling in just the right amount of whimsy to elevate their stories instead.\u00a0<\/p>\n

\n

The first six episodes of <\/em>Win or Lose are available on Disney Plus now, with new episodes dropping on Wednesday. <\/em><\/p>\n

Source<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Oh, Pixar \u2014 at it again with a funky concept that goes all in on the emotions. In the case of Win or Lose, the studio\u2019s first television series, it\u2019s all about externalizing internal feelings and thoughts with some incredibly vibrant visualizations. The show follows a middle school softball team in the week leading up to their big championship game, with each episode focusing on a different character associated with the team. The first features the coach\u2019s kid battling her anxiety, for instance, which manifests as a giant sweat blob whispering insecurities into her ear; the fifth shows the world through the eyes of one player\u2019s little brother, who imagines exciting make-believe scenarios in a crayon style. Visually, it\u2019s very charming and also incorporates a…<\/p>\n

Read More…<\/a><\/p>\n","protected":false},"author":1,"featured_media":1141552,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-1141551","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-polygon"],"yoast_head":"\nWin or Lose is a glimpse of what Pixar does best \u2014 and what it should do more of | Arcader News<\/title>\n<meta name=\"description\" content=\"Oh, Pixar \u2014 at it again with a funky concept that goes all in on the emotions. 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