{"id":1058200,"date":"2026-01-19T20:59:51","date_gmt":"2026-01-19T20:59:51","guid":{"rendered":"https:\/\/www.polygon.com\/?p=491699"},"modified":"2026-01-19T20:59:51","modified_gmt":"2026-01-19T20:59:51","slug":"why-netflixs-jentry-chau-put-chinese-mythic-monsters-in-texas-of-all-places","status":"publish","type":"post","link":"https:\/\/arcader.org\/news\/why-netflixs-jentry-chau-put-chinese-mythic-monsters-in-texas-of-all-places\/","title":{"rendered":"Why Netflix\u2019s Jentry Chau put Chinese mythic monsters in Texas, of all places"},"content":{"rendered":"<figure> <img decoding=\"async\" alt=\"A teenage girl in a cowboy hat walking through a state fair in Netflix\u2019s animated series Jentry Chau vs. the Underworld\" data-caption=\"\" data-portal-copyright=\"\" data-has-syndication-rights=\"1\" src=\"https:\/\/arcader.org\/wp-content\/uploads\/2024\/12\/why-netflixs-jentry-chau-put-chinese-mythic-monsters-in-texas-of-all-places.jpg\" \/><figcaption><\/figcaption><\/figure>\n<p class=\"has-text-align-none\">In Netflix\u2019s new animated series <a href=\"https:\/\/www.polygon.com\/review\/490353\/jentry-chau-vs-underworld-review-ali-wong\"><em>Jentry Chau vs. the Underworld<\/em><\/a><em>,<\/em> the titular protagonist uses the powers she\u2019s hidden for most of her life to battle demons out of Chinese mythology. But Jentry (Ali Wong) isn\u2019t fighting off these monsters in a big city like New York; all the supernatural hijinks take place in a Texas suburb.<\/p>\n<p class=\"has-text-align-none\">The Texas setting combined with the Chinese folklore really adds a unique layer to <em>Jentry Chau<\/em>. It\u2019s a funky combo that lets showrunner Echo Wu dig into the specificities of both elements. The show\u2019s third episode, for instance, ends with the Chinese god of death ferrying away the souls of fallen Texan soldiers who are taking the whole <a href=\"https:\/\/www.thealamo.org\/remember\">\u201cRemember the Alamo\u201d thing<\/a> a bit too seriously.&nbsp;<\/p>\n<p class=\"has-text-align-none\">In a junket ahead of the show\u2019s release, Wu told Polygon that she drew from her own childhood as inspiration for the show\u2019s setting.&nbsp;<\/p>\n<p class=\"has-text-align-none\">&#8220;It\u2019s like a love letter to growing up in Texas,\u201d she said. \u201cI grew up in this place called Carrollton, that&#8217;s like a suburb of Dallas. I just really wanted to watch something that I felt could represent people that don&#8217;t feel very represented all the time. I wanted to combine that with my love for horror and anime and Chinese mythology, but also YA, like teen romance.\u201d<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/arcader.org\/wp-content\/uploads\/2024\/12\/why-netflixs-jentry-chau-put-chinese-mythic-monsters-in-texas-of-all-places-1.jpg\" alt=\"\" title=\"\" data-has-syndication-rights=\"1\" data-caption=\"\" data-portal-copyright=\"\" \/><\/p>\n<p class=\"has-text-align-none\">Not only did the Texas suburb make for some memorable backdrops, it also really helped augment the show\u2019s themes. <em>Jentry Chau vs. the Underworld<\/em> kicks off when Jentry has to return to her hometown after years of studying abroad in South Korea. We learn that she accidentally caused a catastrophic accident with her fire powers when she was a kid, one that most of the town thinks was caused by a raging demon and still harps on years later. No one knows it was Jentry, and she\u2019s trying to keep it that way.<\/p>\n<p class=\"has-text-align-none\">Like most teenagers, Jentry just wants to fit in \u2014 but having supernatural powers that draw the attention of mythological monsters doesn\u2019t exactly lend itself to blending into the background. <em>Especially<\/em> in a small town.<\/p>\n<p class=\"has-text-align-none\">\u201cUsually [monsters are] destroying New York City or they\u2019re destroying big set pieces and stuff,\u201d Wu explained. \u201cSetting it against the suburbs where everything is more mundane, it just makes it feel more amplified. And I think a teenager\u2019s worst fear is standing out in a way that\u2019s just not fun or embarrassing. Having monsters set against that just amplifies what Jentry\u2019s going through.\u201d<\/p>\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n<p class=\"has-text-align-none\">Jentry Chau vs. the Underworld<em> is streaming on Netflix now. <\/em><\/p>\n<p><a href=\"https:\/\/www.polygon.com\/animation-cartoons\/491699\/jentry-chau-vs-the-underworld-texas-chinese-mythology\">Source<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In Netflix\u2019s new animated series Jentry Chau vs. the Underworld, the titular protagonist uses the powers she\u2019s hidden for most of her life to battle demons out of Chinese mythology. But Jentry (Ali Wong) isn\u2019t fighting off these monsters in a big city like New York; all the supernatural hijinks take place in a Texas suburb. The Texas setting combined with the Chinese folklore really adds a unique layer to Jentry Chau. It\u2019s a funky combo that lets showrunner Echo Wu dig into the specificities of both elements. The show\u2019s third episode, for instance, ends with the Chinese god of death ferrying away the souls of fallen Texan soldiers who are taking the whole \u201cRemember the Alamo\u201d thing a bit too seriously.&nbsp; In a junket&hellip;<\/p>\n<p class=\"excerpt-more\"><a class=\"blog-excerpt button\" href=\"https:\/\/arcader.org\/news\/why-netflixs-jentry-chau-put-chinese-mythic-monsters-in-texas-of-all-places\/\">Read More&#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":1058201,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-1058200","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-polygon"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Why Netflix\u2019s Jentry Chau put Chinese mythic monsters in Texas, of all 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