{"id":1043830,"date":"2026-01-17T13:37:51","date_gmt":"2026-01-17T13:37:51","guid":{"rendered":"https:\/\/www.polygon.com\/?p=483853"},"modified":"2026-01-17T13:37:51","modified_gmt":"2026-01-17T13:37:51","slug":"a-wicked-problem-when-your-actor-and-vfx-both-rely-on-green","status":"publish","type":"post","link":"https:\/\/arcader.org\/news\/a-wicked-problem-when-your-actor-and-vfx-both-rely-on-green\/","title":{"rendered":"A Wicked problem: when your actor and VFX both rely on green"},"content":{"rendered":"<figure> <img decoding=\"async\" alt=\"Cynthia Erivo as Elphaba using her hand magic in Wicked. Her skin is green.\" data-caption=\"\" data-portal-copyright=\"Image: Universal Pictures\" data-has-syndication-rights=\"1\" src=\"https:\/\/arcader.org\/wp-content\/uploads\/2024\/11\/a-wicked-problem-when-your-actor-and-vfx-both-rely-on-green.jpg\" \/><figcaption><\/figcaption><\/figure>\n<p class=\"has-text-align-none\">In <a href=\"https:\/\/www.polygon.com\/review\/481398\/wicked-movie-review-musical\"><em>Wicked<\/em><\/a>, wicked-witch-to-be Elphaba (Cynthia Erivo) is ostracized by her fellow Ozians because of her green skin and her magical powers. But on the set of a big-budget Hollywood studio production that leans heavily on visual effects instead of magic, she has her own viridescent foe: green-screen technology.<\/p>\n<p class=\"has-text-align-none\">Vivid green backdrops&nbsp;\u2014&nbsp;often <a href=\"https:\/\/www.premiumbeat.com\/blog\/chroma-key-green-screen-guide\/\">referred to as \u201cchroma green\u201d by digital artists<\/a> \u2014 are used in modern VFX processes, in part, because that tint is so far from the color range of human skin. That makes it far easier for visual effects artists to digitally select anything in an image that\u2019s chroma green and replace it, keying out the actors and placing them into new backgrounds. But if Elphaba stood in front of a green-screen background, it would likely erase her like her classmates want to, theoretically leaving a just-as-magical floating hat, eyes, dress, and cape standing in for the Wicked Witch of the West.&nbsp;<\/p>\n<p class=\"has-text-align-none\">As Industrial Light &amp; Magic visual effects supervisor Pablo Helman told Polygon in an interview ahead of <em>Wicked<\/em>\u2019s release, Elphaba\u2019s coloration made it necessary to revert to an earlier form of this kind of digital replacement technology.&nbsp;&nbsp;<\/p>\n<p class=\"has-text-align-none\">\u201cIt immediately became a blue-screen show,\u201d Helman says. \u201cWhen you\u2019re doing prep, you have to acquire all these screens. And so we knew that we had [to use] blue screen.\u201d<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/arcader.org\/wp-content\/uploads\/2024\/11\/a-wicked-problem-when-your-actor-and-vfx-both-rely-on-green-1.jpg\" alt=\"Glinda and Elphaba stand overlooking the land of Oz in Wicked.\" title=\"Glinda and Elphaba stand overlooking the land of Oz in Wicked.\" data-has-syndication-rights=\"1\" data-caption=\"\" data-portal-copyright=\"Image: Universal Pictures\" \/><\/p>\n<p class=\"has-text-align-none\">Helman, whose credits in visual effects range from fantastical movies like <em>Star Wars: Episode II \u2013 Attack of the Clones <\/em>to less visible work on Martin Scorsese\u2019s <em>The Irishman <\/em>\u2014 prefers to use these screens as little as possible: \u201cThe reason why I don\u2019t like [this method] is because it changes the lighting by spilling all over the set, one color or the other.\u201d In his eyes, that would have sucked the life out of one of <em>Wicked<\/em>\u2019s most elaborate musical numbers, where prince Fiyero (Jonathan Bailey) leads Galinda\/Glinda (Ariana Grande) and others in a cheery song about how \u201cLife\u2019s more painless \/ for the brainless.\u201d<\/p>\n<p class=\"has-text-align-none\">\u201cFor instance, in scenes like \u2018Dancing Through Life\u2019 in the library, it could have been a blue-screen set, because all the backgrounds were put in there,\u201d Helman says. \u201cBut I worked with Alice Brooks, the director of photography, just to say, \u2018If we\u2019re thinking that we\u2019re exposing for the inside, and the outside is <a href=\"https:\/\/blog.dehancer.com\/articles\/bloom-what-it-is-and-how-it-works\/\">going to be blooming<\/a>, let\u2019s just light it white, and let\u2019s deal with extracting the actors and putting backgrounds differently, because then the white light is going to help us in having the true meaning of what it means to be in a set like that.\u2019\u201d<\/p>\n<p class=\"has-text-align-none\">The contrast between the bright white light Brooks and Helman wanted for that scene and the blue light that digital-friendly backdrops would have spread across the sequence is part of the frustration Helman often sees on movie sets, where different needs for a shot can come into conflict. <\/p>\n<p class=\"has-text-align-none\">\u201cIf you actually go historically to the beginning of green- or blue-screen photography, it\u2019s because in visual effects, we like to separate everything, and we love to have control over everything,\u201d he says. \u201cBut the director also wants to have control, and the production designer wants to have control.\u201d<\/p>\n<p class=\"has-text-align-none\">Even with all the preparation Helman, director Jon M. Chu (<em>Crazy Rich Asians<\/em>, <a href=\"https:\/\/www.polygon.com\/reviews\/22446502\/in-the-heights-review\"><em>In the Heights<\/em><\/a>), and the rest of the filmmaking team put into the project, it wasn\u2019t until they were on set that they discovered how avoiding an Elphaba green-screen clash meant running into <em>another<\/em> problem.&nbsp;<\/p>\n<p class=\"has-text-align-none\">\u201cUntil we started shooting in Shiz [the university in Oz], we [hadn\u2019t] realized that everybody was wearing blue,\u201d Helman laughed.<\/p>\n<p><a href=\"https:\/\/www.polygon.com\/movies\/483853\/wicked-green-makeup-cynthia-erivo-green-screen\">Source<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In Wicked, wicked-witch-to-be Elphaba (Cynthia Erivo) is ostracized by her fellow Ozians because of her green skin and her magical powers. But on the set of a big-budget Hollywood studio production that leans heavily on visual effects instead of magic, she has her own viridescent foe: green-screen technology. Vivid green backdrops&nbsp;\u2014&nbsp;often referred to as \u201cchroma green\u201d by digital artists \u2014 are used in modern VFX processes, in part, because that tint is so far from the color range of human skin. That makes it far easier for visual effects artists to digitally select anything in an image that\u2019s chroma green and replace it, keying out the actors and placing them into new backgrounds. But if Elphaba stood in front of a green-screen background, it would&hellip;<\/p>\n<p class=\"excerpt-more\"><a class=\"blog-excerpt button\" href=\"https:\/\/arcader.org\/news\/a-wicked-problem-when-your-actor-and-vfx-both-rely-on-green\/\">Read More&#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":1043831,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-1043830","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-polygon"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>A Wicked problem: when your actor and VFX both rely on green | Arcader News<\/title>\n<meta name=\"description\" content=\"In Wicked, wicked-witch-to-be Elphaba (Cynthia Erivo) is ostracized by her fellow Ozians because of her green skin and her magical powers. 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