{"id":1042546,"date":"2026-01-17T10:25:17","date_gmt":"2026-01-17T10:25:17","guid":{"rendered":"https:\/\/www.polygon.com\/?p=482968"},"modified":"2026-01-17T10:25:17","modified_gmt":"2026-01-17T10:25:17","slug":"the-best-movies-leaving-netflix-prime-video-and-criterion-channel-at-the-end-of-november-2024","status":"publish","type":"post","link":"https:\/\/arcader.org\/news\/the-best-movies-leaving-netflix-prime-video-and-criterion-channel-at-the-end-of-november-2024\/","title":{"rendered":"The best movies leaving Netflix, Prime Video, and Criterion Channel at the end of November 2024"},"content":{"rendered":"<figure> <img decoding=\"async\" alt=\"\" data-caption=\"\" data-portal-copyright=\"\" data-has-syndication-rights=\"1\" src=\"https:\/\/arcader.org\/wp-content\/uploads\/2024\/11\/the-best-movies-leaving-netflix-prime-video-and-criterion-channel-at-the-end-of-november-2024.jpg\" \/><figcaption><\/figcaption><\/figure>\n<p class=\"has-text-align-none\">We\u2019re nearing the end of another month, and that means quite a few great movies are leaving their current streaming services. Thanks to the Thanksgiving holiday in America, you\u2019re likely to have a little extra free time at the end of November, so we\u2019ve collected a few of the best movies to catch up on before they vanish.<\/p>\n<p class=\"has-text-align-none\">This month\u2019s selections include a horror sequel that\u2019s way better than it has any right to be, a biopic to satisfy the boxing itch you definitely didn\u2019t get anywhere else this month, a thriller full of questions about AI, and one of the best bank robbery movies of all time.<\/p>\n<p class=\"has-text-align-none\">Here are the best movies leaving streaming at the end of November.<\/p>\n<h2 class=\"wp-block-heading has-text-align-none\">Editor\u2019s pick: Doctor Sleep: Director\u2019s Cut <\/h2>\n<p><img decoding=\"async\" src=\"https:\/\/arcader.org\/wp-content\/uploads\/2024\/11\/the-best-movies-leaving-netflix-prime-video-and-criterion-channel-at-the-end-of-november-2024-1.jpg\" alt=\"\" title=\"\" data-has-syndication-rights=\"1\" data-caption=\"\" data-portal-copyright=\"\" \/><\/p>\n<p class=\"has-text-align-none\"><strong>Director:<\/strong> Mike Flanagan <br \/><strong>Stars:<\/strong> Ewan McGregor, Rebecca Ferguson, Kyliegh Curran<br \/><strong>Leaving Prime Video:<\/strong> Nov. 31<\/p>\n<p class=\"has-text-align-none\"><em>The Shining<\/em> has a very complicated history. Both Stephen King\u2019s original novel and Stanley Kubrick\u2019s film adaptation are absolute horror classics, but the relationship between the two is somewhat antagonistic, thanks in part to the fact that King spent years absolutely hating Kubrick\u2019s movie. So the fact that director Mike Flanagan managed to build a bridge between the book version of the story and the movie version with his film <em>Doctor Sleep <\/em>is remarkable. But the fact that he also managed to make a great movie in the process is a minor miracle.<\/p>\n<p class=\"has-text-align-none\"><em>Doctor Sleep: Director\u2019s Cut<\/em>, <a href=\"https:\/\/www.polygon.com\/2020\/2\/17\/21138473\/doctor-sleep-movie-directors-cut-theatrical-changes-stephen-king-shining\">the only version of the movie worth watching<\/a>, follows Danny Torrance (Ewan McGregor), the young hero of the original story, years after his ordeal at the Overlook Hotel. Danny\u2019s lost touch with his ability to shine, he battles the same disease of alcoholism that his father struggled against, and he feels generally adrift in his life, numbing himself to everything around him just to avoid the scars of his childhood. But when a group of vampires who feed on kids who shine starts to threaten a young girl (Kyliegh Curran), Danny has to confront the ghosts of his past.<\/p>\n<p class=\"has-text-align-none\">What truly makes the movie sing is McGregor\u2019s absolutely incredible performance as Danny, turning in career-best work showing Danny\u2019s struggle to move forward with his life alongside his drive to save someone he can\u2019t help but relate to. Meanwhile, Flanagan\u2019s direction is excellent, evoking bits and pieces of Kubrick\u2019s original masterpiece without ever lowering itself into cheap imitation, right up until facsimile becomes a necessary tool. All of this makes for an excellent movie that not only manages to stand alongside its predecessors, but makes them both stronger by its existence. \u2014<em>Austen Goslin <\/em><\/p>\n<h2 class=\"wp-block-heading has-text-align-none\">Movies leaving Netflix <\/h2>\n<h3 class=\"wp-block-heading has-text-align-none\">Ali <\/h3>\n<p><img decoding=\"async\" src=\"https:\/\/arcader.org\/wp-content\/uploads\/2024\/11\/the-best-movies-leaving-netflix-prime-video-and-criterion-channel-at-the-end-of-november-2024-2.jpg\" alt=\"Will Smith in a boxing ring with gloves on during a fight as Muhammad Ali in Ali \" title=\"Will Smith in a boxing ring with gloves on during a fight as Muhammad Ali in Ali \" data-has-syndication-rights=\"1\" data-caption=\"\" data-portal-copyright=\"Image: Columbia Pictures\" \/><\/p>\n<p class=\"has-text-align-none\"><strong>Director:<\/strong> Michael Mann<br \/><strong>Stars:<\/strong> Will Smith, Jamie Foxx, Jon Voight<br \/><strong>Leaving Netflix:<\/strong> Nov. 31<\/p>\n<p class=\"has-text-align-none\">Based on the <a href=\"https:\/\/www.theverge.com\/2024\/11\/19\/24300814\/netflix-jake-paul-mike-tyson-most-streamed-sporting-event\">viewing numbers<\/a>, there\u2019s a pretty good chance that you watched a boxing event in the last week or so. And there\u2019s a good chance that viewing left you at least a little bit disappointed and maybe even feeling ever so slightly tricked \u2014 you weren\u2019t, it was just good marketing, but I certainly understand the feeling. But no matter how you felt, there\u2019s probably a boxing glove-shaped hole in your heart right now that needs filling. Thankfully, Michael Mann and Will Smith are here to help with their 2001 collaboration <em>Ali<\/em>, a biopic of boxing legend Muhammad Ali.<\/p>\n<p class=\"has-text-align-none\"><em>Ali <\/em>is absolutely everything that boxing should be: brutal, intimate, clever, and at once both deeply physical and human and something bigger. The movie is a titanic portrait of a person who was larger than life, a boxer, a champion, an activist, an icon, and a person who couldn\u2019t possibly be contained just by the four corners of the ring or by one single movie. Instead, Mann employs every editing and formal trick in the book to create something bigger and more ambitious than a traditional biopic. And yes, like all boxing, <em>Ali <\/em>is technically mostly marketing, but it\u2019s marketing in service of mythmaking for one of the most interesting and important figures of the 20th century. So if you\u2019re feeling a little burned and want to see what boxing really can and should be, both inside and outside the ring, then look no further than <em>Ali<\/em>. \u2014<em>AG<\/em><\/p>\n<h2 class=\"wp-block-heading has-text-align-none\">Movies leaving Prime Video <\/h2>\n<h3 class=\"wp-block-heading has-text-align-none\">Ex Machina <\/h3>\n<p><img decoding=\"async\" src=\"https:\/\/arcader.org\/wp-content\/uploads\/2024\/11\/the-best-movies-leaving-netflix-prime-video-and-criterion-channel-at-the-end-of-november-2024-3.jpg\" alt=\"\" title=\"\" data-has-syndication-rights=\"1\" data-caption=\"\" data-portal-copyright=\"\" \/><\/p>\n<p class=\"has-text-align-none\"><strong>Director:<\/strong> Alex Garland<br \/><strong>Stars:<\/strong> Alicia Vikander, Domhnall Gleeson, Oscar Isaac<br \/><strong>Leaving Prime Video:<\/strong> Nov. 31<\/p>\n<p class=\"has-text-align-none\">In the cinematic canon of \u201cinsufferable tech bros who turn out to be latent sociopaths,\u201d Oscar Isaac\u2019s portrayal of Nathan\u00a0in Alex Garland\u2019s 2014 sci-fi thriller <em>Ex Machina<\/em> certainly ranks among the top. The reclusive CEO of Blue Book, a fictional search engine conglomerate that\u2019s essentially the film\u2019s stand-in for Google, Nathan is the catalyst for much of the horror that comes to pass throughout the film\u2019s run time. Having invited Caleb (Domhnall Gleeson), one of his employees, to visit him at his isolated estate to take part in an experiment, Nathan initially comes across as an unassuming, albeit ambitious, thought leader who treats Caleb with the sort of deferential respect one would afford to a colleague. It\u2019s only later that it becomes clear how much contempt Nathan has, not just for Caleb, but for the human species as a whole. <em>\u2014Toussaint Egan<\/em><\/p>\n<h2 class=\"wp-block-heading has-text-align-none\">Movies leaving Criterion Channel <\/h2>\n<h3 class=\"wp-block-heading has-text-align-none\">Dog Day Afternoon <\/h3>\n<p><img decoding=\"async\" src=\"https:\/\/arcader.org\/wp-content\/uploads\/2024\/11\/the-best-movies-leaving-netflix-prime-video-and-criterion-channel-at-the-end-of-november-2024-4.jpg\" alt=\"Young Al Pacino looking worried in Dog Day Afternoon\" title=\"Young Al Pacino looking worried in Dog Day Afternoon\" data-has-syndication-rights=\"1\" data-caption=\"\" data-portal-copyright=\"Image: Warner Bros. Pictures\" \/><\/p>\n<p class=\"has-text-align-none\"><strong>Director:<\/strong> Sidney Lumet<br \/><strong>Stars:<\/strong> Al Pacino, John Cazale, Penelope Allen<br \/><strong>Leaving Criterion Channel:<\/strong> Nov. 31<\/p>\n<p class=\"has-text-align-none\"><em>Dog Day Afternoon<\/em>, or as I like to call it, \u201cSonny Wortzik and the Terrible, Horrible, No Good, Very Bad Bank Robbery,\u201d is one of the most critically well-regarded films of legendary director Sidney Lumet\u2019s storied career. Considering that career also included such venerable classics as <em>12 Angry Men<\/em> and <em>Network<\/em> \u2014 which, along with <em>Dog Day Afternoon,<\/em> were inducted into the Library of Congress\u2019 National Film Registry \u2014 that\u2019s really saying something.<\/p>\n<p class=\"has-text-align-none\">Based on the real-life story of John Wojtowicz and Salvatore Naturile, Lumet\u2019s film stars Al Pacino as Sonny Wortzik, a first-time thief who, with the help of his friends Sal Naturile (John Cazale) and Stevie (Gary Springer), attempts to rob the First Brooklyn Savings Bank. As you can probably guess, the situation doesn\u2019t go quite as anyone would expect, resulting in Stevie losing his nerve and Sonny and Sal being left to navigate a fraught hostage situation against an army of police officers assembled around the building. <em>Dog Day Afternoon<\/em> is a tremendous and iconic film, one that tapped directly into the zeitgeist of 1970s American culture and traced the uneasy connection between financial desperation, the attention economy of televised news, and the societal plight of the LGBTQ community. \u2014<em>TE<\/em><\/p>\n<p><a href=\"https:\/\/www.polygon.com\/what-to-watch\/482968\/best-movies-netflix-amazon-criterion-leaving-november-2024\">Source<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>We\u2019re nearing the end of another month, and that means quite a few great movies are leaving their current streaming services. Thanks to the Thanksgiving holiday in America, you\u2019re likely to have a little extra free time at the end of November, so we\u2019ve collected a few of the best movies to catch up on before they vanish. This month\u2019s selections include a horror sequel that\u2019s way better than it has any right to be, a biopic to satisfy the boxing itch you definitely didn\u2019t get anywhere else this month, a thriller full of questions about AI, and one of the best bank robbery movies of all time. Here are the best movies leaving streaming at the end of November. Editor\u2019s pick: Doctor Sleep: Director\u2019s&hellip;<\/p>\n<p class=\"excerpt-more\"><a class=\"blog-excerpt button\" href=\"https:\/\/arcader.org\/news\/the-best-movies-leaving-netflix-prime-video-and-criterion-channel-at-the-end-of-november-2024\/\">Read More&#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":1042547,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-1042546","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-polygon"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The best movies leaving Netflix, Prime Video, and Criterion Channel at the end of November 2024 | Arcader News<\/title>\n<meta name=\"description\" content=\"We\u2019re nearing the end of another month, and that means quite a few great movies are leaving their current streaming services. 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