{"id":1031871,"date":"2026-01-15T06:41:04","date_gmt":"2026-01-15T06:41:04","guid":{"rendered":"https:\/\/www.polygon.com\/23825\/thelma-movie-preview-action-comedy"},"modified":"2026-01-15T06:41:04","modified_gmt":"2026-01-15T06:41:04","slug":"the-geri-action-movie-thelma-lets-94-year-old-june-squibb-play-the-tom-cruise-game","status":"publish","type":"post","link":"https:\/\/arcader.org\/news\/the-geri-action-movie-thelma-lets-94-year-old-june-squibb-play-the-tom-cruise-game\/","title":{"rendered":"The geri-action movie Thelma lets 94-year-old June Squibb play the Tom Cruise game"},"content":{"rendered":"
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This feature was previously published ahead of <\/em>Thelma\u2019s theatrical release. It has been updated for the film\u2019s streaming release.<\/em><\/sub><\/p>\n

Action movies used to be the domain of younger stars: All those gunfights, car chases, death-defying stunts, and nefarious-crime-thwartings take a lot of energy and flexibility, not to mention the ability to heal up afterward. But American action stars are simultaneously aging up and staying in the picture: Harrison Ford, now 82, made an Indiana Jones movie about his age<\/a>. Tom Cruise<\/a> is 62 and has a new Mission: Impossible movie on the way<\/a>. Keanu Reeves keeps putting out John Wick movies. Even Bob Odenkirk got in on the action<\/a> for his 60th birthday. But 2024\u2019s hilarious action-comedy Thelma<\/em>, now on Hulu, pushes the trend to what must be its limit. Here, 94-year-old Oscar-nominated actress June Squibb picks up the action mantle. <\/p>\n

Thelma<\/em> is the first feature film from director Josh Margolin. It\u2019s about a 92-year-old woman named Thelma who loses $10,000 to a scammer pretending to be her grandson. But instead of taking the scam lying down, she jumps on her scooter, recruits a friend, and sets off on a quest to take back her money.<\/p>\n

In an interview with Polygon, Margolin explained that the story is based on a real incident that happened to his own grandma \u2014 though thankfully, in real life, she didn\u2019t actually send the money to her would-be scammers. That premise may sound familiar to action fans for other reasons, though: Margolin was very aware of the happy accident of his movie hitting theaters in close proximity to Jason Statham\u2019s The Beekeeper<\/em><\/a>, which was also about a phone scammer<\/a> getting a very different kind of comeuppance<\/a>. <\/p>\n

\u201cIt was so funny to see that trailer,\u201d Margolin says with a laugh. \u201cI was like, Oh my God<\/em>, we\u2019re a little bit like<\/em> The Beekeeper. I definitely watched it, because I was like, I have to see this<\/em>. And it was wild and crazy and fun. [\u2026] I\u2019m glad we can continue the grand tradition that The Beekeeper<\/em> started.\u201d<\/p>\n

\"June<\/p>\n

But while Thelma <\/em>is significantly less violent than The Beekeeper<\/em>, it\u2019s even funnier and no less thrilling. For Margolin, one of the most important parts of the movie was translating the language of action filmmaking to his less-than-traditional cast, which also includes the late Richard Roundtree (Shaft<\/em>) in a fantastic, fun performance. That means high-speed chases on scooters, fistfights at more manageable speeds, and high-tension heists with hearing aids. <\/p>\n

\u201cI\u2019m a big fan of action movies. I always have been,\u201d says Margolin. \u201cThe idea [was] trying to tell the story of my grandma, and this ode to her and celebrate her grit and tenacity, [using] those tropes and ideas and shrinking them down to an everyday scope and scale, but treating them with real stakes.\u201d <\/p>\n

Margolin says he wanted to find a way to dramatize what he calls the everyday heroism of \u201cmoving through the world as you get older and things get harder, and smaller things present more danger.\u201d<\/p>\n

Of course, slowed-down action scenes with older people in chases and fights could easily come off as parody \u2014 or worse, poking fun at its terrific cast of older actors. But Margolin brilliantly walks the line of laughing with our characters rather than laughing at them. They\u2019re the stars of a true action movie here, not the butt of a joke.<\/p>\n

\u201cIt\u2019s so easy for anything sending up those tropes or referencing them to feel like parody, and especially stuff with older characters,\u201d Margolin says. \u201cSomething that me and my producers were very cognizant of protecting was the tone, and trying to make sure that all of the action, all of the tension, all of the fun was always born out of a sincere and earnest care for what was happening. <\/p>\n

\"June<\/p>\n

\u201cWe never wanted it to feel like it was punching down or poking fun. We wanted it to be funny in a way that felt like we\u2019re along for the ride.\u201d<\/p>\n

Part of that earnestness also comes from Margolin\u2019s own favorite action movies. He says he prefers an actioner that \u201ctreats its stakes sincerely, isn\u2019t just winky and referential, but action that\u2019s fun and surprising and tense and just treats things with a certain sincerity. Obviously, the Mission: Impossible movies are a big influence on [the movie]. Watching Tom Cruise hurl himself at various moving objects<\/a> for our entertainment is a source of inspiration for [our] ethos.\u201d <\/p>\n

Thelma watches a Mission: Impossible film during the movie, and her Tom Cruise inspiration is not just there in spirit, but in the text itself. After she gets scammed, seeing Cruise\u2019s face on a magazine inspires Thelma to take justice into her own hands. But that kind of sincerity wouldn\u2019t work without Thelma<\/em>\u2019s terrific and committed performances, particularly from Squibb and Roundtree. Both actors are terrifically funny, and Roundtree\u2019s charm gives the movie a tremendous amount of heart. For her part, Margolin says Squibb was adamant about owning the Tom Cruise mantle and doing as many stunts as she could herself. <\/p>\n

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